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Market Scenario Enterprise Data Management is the capability of the businesses to identify, develop, integrate, and manage the data of the entire enterprise workflow, applications, and entities that require precise and accurate data delivery. In other words, enterprise data management refers to manage the data which ensure compliance and governance features such as data quality, security and many more. Additionally, enterprise data management helps to integrate the data to enable master data management (MDM). The MDM is a method used to consistently define manage and control the critical data of an enterprise to offer a single point. Novel coronavirus has Enterprise Data Management Market Research to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The Global Enterprise Data Management Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/5863 Competitive Outlook Some of the key players of Enterprise Data Management Market include Oracle Corporation (U.S.), Mulesoft (U.S.), Accenture (Ireland), SAP SE (Germany), IBM Corporation (U.S.), Talend (U.S.), Symantec Corporation (U.S.), SAS Institute Inc. (U.S.), Intel Security (U.S.), Teradata Corporation (U.S.), Cognizant (U.S.), MongoDB (U.S.), Mindtree (India), Jade Global (U.S.), Goldensource (U.S.), Solix technologies Inc. (U.S.), Liasion Technologies (Sweden), and Primitive Logic (U.S.). Segmentation The enterprise data management market is broadly categorized by component, deployment, organization size, and end-user. By component, the enterprise data management market is sub-segmented as solutions and services. On the basis of services, the market is sub-segmented into professional services and managed services. The professional services are further segregated into consulting services, implementing integrating services, and training support services. The solutions are segregated as data integration, data warehousing, data processing, data governance, data synchronization, data security, data quality, and others. On the basis of organization type, the market is segregated into large enterprise and small medium enterprise. Furthermore, on the basis of deployment, the market is sub-divided into on-cloud and on-premises. By end-user, the market is sub-divided into IT telecom, BFSI, manufacturing, energy power, healthcare, transportation logistics, government, and others. Regional Analysis Geographically, the enterprise data management market is segmented into four different regions namely North America, Asia Pacific, Europe, and the Rest of the World. North America is presumed to have significant growth in the enterprise data management market. The United States and Canada are leading the markets of the region. The growth is due to high-level expertise in the cloud deployment of enterprise data management. Asia Pacific is also anticipated to be the fastest growing region in the enterprise data management market over the forecast period. India, Japan, South Korea, and China are the leading countries in the region. This is attributed to increased investment to boost the IT sector. Furthermore, Europe is expected to have a substantial growth in the market owing to robust technological infrastructure. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/enterprise-data-management-market-5863 List of Tables Table1 Global Enterprise Data Management Market By Region, 2020-2027 Table2 North America Enterprise Data Management Market By Country, 2020-2027 Table3 Europe Enterprise Data Management Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global Enterprise Data Management Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porters’ Five Forces Analysis Of Global Enterprise Data Management Market Continued… View Similar Report** Identity Access Management Business https //writeonwall.com/identity-access-management-business-industry-trends-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and/ Mobile Banking Market Research https //writeonwall.com/mobile-banking-market-research-industry-trends-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-t/ About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. 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Techno-Economic Study on the Reduction Measures, Based on Best Available Techniques, of Emissions (Water, Wastes, Air) from the Paper and Board Manufacturing Industry European Communities / Union (EUR-OP/OOPEC/OPOCE)? Jaako P 148? EuropeanCommunities/Union(EUR-OP/OOPEC/OPOCE)? JaakoP 148? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-MaterialsScience-General? Subjects-History-Europe-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-MaterialsScience-General? Assessment of the Cost Involved in the Limitation of Organic Solvent Emissions from the Industrial Sectors European Communities / Union (EUR-OP/OOPEC/OPOCE)? European Communities? EuropeanCommunities/Union(EUR-OP/OOPEC/OPOCE)? EuropeanCommunities? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? 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Control Panel Reference SynthEyes has the following control panels · Summary Panel · Rotoscope Control Panel · Feature Control Panel · Tracking Control Panel. · Lens Control Panel. · Solver Control Panel. · Coordinate System Control Panel. · 3-D Control Panel. · Lighting Control Panel. · Flex/Curve Control Panel. Select via the control panel selection portion of the main toolbar. The Graph Editor icon appears in the toolbar area to indicate a nominal workflow, but it launches a floating window. Additional panels are described below · Add Many Trackers Dialog · Advanced Features · Clean Up Trackers · Coalesce Nearby Trackers · Curve tracking control · Finalize Trackers · Fine-Tuning Panel · Green-screen control · Hard and Soft Lock Controls · Hold Tracker Preparation Tool · Image Preparation · Spinal Editing Control The shot-setup dialog is described in the sectionOpening the Shot. Spinners SynthEyes uses spinners, the stacked triangles on the right of the following graphic ( ), to permit easy adjustment of numeric fields on the control panels. The spinner control provides the following features · Click either triangle to increase or decrease the value in steps, · Drag within the control to smoothly increase and decrease the value, · Turns red on key frames, · Right-click to remove a key, or if none, to reset to a predefined value, · Shift-drag or -click to change the value much more rapidly, · Control-drag or -click to change the value slowly for fine-tuning. Tool Bar New, Open, Save, Undo, Redo. Buttons. Standard Windows (only). Use the Undo/Redo menu items instead to see what function will be undone or redone. (Control Panel buttons). Changes the active control panel. Forward/Backward (/). Button. Changes the current playback and tracking direction. Reset Time. Button. Resets the timebar so that the entire shot is visible. Fill. Button. The camera viewport is reset so that the entire image becomes visible. Shift-fill sets the zoom to 1 1 horizontally. Viewport Configuration Select. List box. Selects the viewport configuration. Use the viewport manager on the Window menu to modify or add configurations. Camera01. Active camera/object. Click to cycle through the cameras and objects. Play Bar Rewind Button. Rewind back to the beginning of the shot. Back Key Button. Go backwards to the previous key of the selected tracker or object. Frame Number. Numeric Field. Sequential frame number, starting at zero or at 1 if selected on thepreferences. Forward Key Button. Go forward to the next key of the selected tracker or object. To End Button. Go to the last frame of the shot. Frame Backwards. Button. Go backwards one frame. Auto-repeats. Play/Stop/. Button. Begin playing the shot, forwards or backwards, at the rate specified on the View menu. Frame Forward. Button. Go forwards one frame. Auto-repeats. Summary Panel Auto.(the big green one)Run the entire match-move process create features(blips), generate trackers, and solve. If no shot has been set up yet, you will be prompted for that first, so this is truly a one-stop button. See alsoSubmit for Batch. Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Green Screen.Brings up thegreen-screencontrol dialog. Zoom Lens.Check this box if the camera zooms. On Tripod.Check this box if the camera was on a tripod. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Fine-tune.Performs an extra stage of re-tracking between the initial feature tracking and the solve. Thisfine-tuning passcan improve the sub-pixel stability of the trackers on some shots. Settings.Launches the settings panel for fine-tuning. Run Auto-tracker.Runs the automatic tracking stage, then stops. Solve.Runs the solver. Not solved.This field will show the overall scene error, in horizontal pixels, after solving. Coords(共同作用).Initiates a mode where 3 trackers can be clicked to define a coordinate system. After the third, you will have the opportunity to re-solve the scene to apply the new settings. Same as *3 on the Coordinate System panel. 3つのトラッカーが座標系を定めるためにクリックすることができるモードを始めます。 第3の後、新しいセッティングを適用するためにシーンを再解析することがあると思います。 座標系パネルの*3と同じです。 Master Solution Reset ().Clear any existing solution points and object paths. Rotoscope Control Panel The roto panel controls the assignment of a shot s blips to cameras or objects. The roto mask can also be written as an alpha channel or RGB image using the image preprocessor. Spline/Object List. An ordered list of splines and the camera or object they are assigned to. The default Spline1 is a rectangle containing the entire image. A feature is automatically assigned to the camera/object of thelastspline in the list that contains the feature. Double-click a spline to rename it as desired. Camera/Object Selector. Drop-down list. Use to set the camera/object of the spline selected in the Spline/Object List. You can also selectGarbageto set the spline as a garbage matte. Show this spline. Checkbox. Turn on and off to show or hide the selected spline. Also see the View/Only Selected Splines menu item. Key all CPs if any. Checkbox. When on, moving any control point will place a key on all control points for that frame. This can help make keyframing more predictable for some splines. Enable. Button. Animatable spline enable. Create Circle. Lets you drag out circular splines. Create Box. Lets you drag out rectangular splines. Magic Wand. Lets you click out arbitrarily-shaped splines with many control points. Delete. Deletes the currently-selected spline. Move Up. Push button. Moves the selected spline up in the Spline/Object List, making it lower priority. Move Down. Push button. Moves the selected spline down in the Spline/Object List, making it higher priority. Shot Alpha Levels. Integer spinner. Sets the number of levels in the alpha channel for the shot. For example, select 2 for an alpha channel containing only 0 or 1(255), which you can then assign to a camera or moving object. Object Alpha Level. Spinner. Sets the alpha level assigned to thecurrentcamera or object. For example, with 2 alpha levels, you might assign level 0 to the camera, and 1 to a moving object. The alpha channel is used to assign a feature only if it is not contained in any of the splines. Import Tracker to CP. Button. When activated, select a tracker then click on a spline control point. The tracker s path will be imported as keys onto the control point. Feature Control Panel Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Clear all blips.Clears the blips from all frames. Use to save disk space after blips have been peeled to trackers. Blips this frame. Push button. Calculates features (blips) for this frame. Blips playback range. Push button. Calculates features for the playback range of frames. Blips all frames. Push button. Calculates features for the entire shot. Displays the frame number while calculating. Once started, can’t be interrupted! Delete. Button. Clears the skip frame channel from this frame to the end of the shot, or the entire shot if Shift is down when clicked. Skip Frame. Checkbox. When set, this frame will be ignored during automatic tracking and solving. Use (sparingly) for occasional bad frames during explosions or actors blocking the entire view. Camera paths are spline interpolated on skipped frames. Advanced. Push button. Brings up a panel with additional control parameters. Link frames. Push button. Blips from each frame in the shot are linked to those on the prior frame (depending on tracking direction). Useful after changes in splines or alpha channels. Peel. Mode button. When on, clicking on a blip adds a matching tracker, which will be utilized by the solving process. Use on needed features that were not selected by the automatic tracking system. Peel All. Push button. Causes all features to be examined and possibly converted to trackers. To Golden. Push button. Marks the currently-selected trackers as “golden,” so that they won’t be deleted by the Delete Leaden button. Delete Leaden. Push button. Deletes all trackers, except those marked as “golden.” All manually-added trackers are automatically golden, plus any automatically-added ones you previously converted to golden. This button lets you strip out automatically-added trackers. Tracking Control Panel The tracker panel has two variations with different sizes for the tracker view area, and slightly different button locations. The wider version gives a better view of the interior of the panel, especially on high-resolution displays. The smaller version is a more compact layout that reduces mouse motion, and because of the reduced size, is better for use on laptops. Select the desired version using theWider tracker-view panelpreference. Tracker Interior View. Shows its interior---the inner box of the tracker.Left Mouse Drag the tracker location.Middle Scroll Advance the current frame, tracking as you go.Right Mouse Add or remove a position key at the current frame. Or, cancel a drag in progress. Create. Mode Button. When turned on, depressing the left mouse button in the camera view creates new trackers. When off, the left mouse button selects and moves trackers. Delete. Button (also Delete key). Deletes the selected tracker. Finish. Button. Brings up the finalize dialog box, allowing final filtering and gap filtering as a tracker is locked down. Lock. Button. Non-animated enable, turn on when tracker is complete; will then be locked. Tracker Type.,,,. Button. Toggles the tracker type among normal match-mode, dark spot, bright spot, or symmetric spot. Direction. Button. Configures the tracker for backwards tracking it will only track when playing or stepping backwards. Enable. Button. Animated control turns tracker on or off. Turn off when tracker gets blocked by some thing, turn back on when it becomes visible again. Contrast. Number-less spinner. Enhances contrast in the Tracker Interior View window. Bright. Number-less spinner. Turns up the Tracker Interior View brightness. Color. Rectangular swatch. Sets the display color of the tracker for the camera, perspective, and 3-D views. Now. Button. Adds a tracker position key at the present location and frame. Right-click to remove a position key. Shift-right-click to truncate, removing all following keys. Key. Spinner tells SynthEyes to automatically add a key after this many frames, to keep the tracker on track. Key Smooth. Spinner. Tracker s path will be smoothed for this many frames before each key, so there is no glitch due to re-setting a key. Name. Edit field. Adjust the tracker s name to describe what it s tracking. Pos. H and V spinners. Tracker s horizontal and vertical position, from –1 to +1. You can delete a key (border is red) by right-clicking. Shift-right-clicking will truncate the tracker after this frame. Size. Size and aspect spinners. Size and aspect ratio (horizontal divided by vertical size) of the interior portion of the tracker. Search. H and V spinners. Horizontal and vertical size of the region (excluding the actual interior) that SynthEyes will search for the tracker around its position in the preceding frame. Preceding implies lower-numbered for forward tracking, higher-numbered for backward tracking. Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the 2-D data for each frame from this tracker. Higher values cause a closer match, lower values allow a sloppier match.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. Also see ZWTs below. Exact. For use after a scene has already been solved set the tracker s 2-D position to the exact re-projected location of the tracker s 3-D position. A quick fix for spurious or missing data points, do not overuse. See the section onfiltering and filling gaps. Note applied to a zero-weighted-tracker, error will not become zero because the ZWT will re-calculate using the new 2-D position, yielding a different 3-D and then 2-D position. F n.nnnhpix.(display field, right of Exact button) Shows the distance, in horizontal pixels, between the 2-D tracker location and the re-projected 3-D tracker location. Valid only if the tracker has been solved. ZWT. When on, the tracker s weight is internally set to zero—it is a zero-weighted-tracker (ZWT), which does not affect the camera or object s path at all. As a consequence, its 3-D position can be continually calculated as you update the 2-D track or change the camera or object path, or field of view. The Weight spinner of a ZWT will be disabled, because the weight is internally forced to zero and special processing engaged. The grayed-out displayed value will be the original weight, which will be restored if ZWT mode is turned off. T n.nnnhpix.(display field, right of ZWT button) Shows the total error, in horizontal pixels, for the solved tracker. This is the same error as from the Coordinate System panel. It updates dynamically during tracking of a zero-weighted tracker. Lens Control Panel Field of View. Spinner. Field of view, in degrees, on this frame. Focal Length. Spinner. Focal length, computed using the current Back Plate Width on Scene Settings. Provided for illustration only. Add/Remove Key., Button. Add or remove a key to the field of view (focal length) track at this frame. Known. Radio Button. Field of view is already known (typically from an earlier run) and is taken from the field of view seed track. May be fixed or zooming. You will be asked if you want to copy the solved FOV track to the seed FOV track—do that if you want to lock down the solved FOV. Fixed, Unknown. Radio Button. Field of view is unknown, but did not zoom during the shot. Fixed, with Estimate. Radio Button. Camera did not zoom, and a reasonable estimate of the field of view is available and has been set into the beginning of the lens seed track. This mode can make solving slightly faster and more robust.Important verify that you know, and have entered, the correct plate size before using any on-setfocal lengthvalues. A correct on-set focal length with an incorrect plate size makes the focal length useless, and this setting harmful. Zooming, Unknown. Radio Button. Field of view zoomed during shot. Lens Distortion. Spinner. Show/change the lens distortion coefficient. Calculate Distortion. Checkbox. When checked, SynthEyes will calculate the lens distortion coefficient. You should have plenty of well-distributed trackers in your shot. Add Line. Checkbox. Adds an alignment line to the image that you can line up with a straight line in the image, adjust the lens distortion to match, and/or use it for tripod or lock-off scene alignment. Kill Line. Checkbox. Removes the selected alignment line (the delete key also does this). Control-click to delete all the alignment lines at once. Axis Type. Drop-down list. Not oriented, if the line is only there for lens distortion determination, parallel to one of the three axes, along one of the three (XYZ) axes, or along one of the three axes, with the length specified by the spinner. Configures the line for alignment. - . Button. Swaps an alignment line end for end. The direction of a line is significant and displayed only for on-axis lines. Length. Spinner. Sets the length of the line to control overall scene sizing during alignment. Only a single line, which must be on-axis, can have a length. Atnnnf.Button. Shows(not set)if no alignment lines have been configured. This button shows the (single) frame on which alignment lines have been defined and alignment will take place; clicking the button takes you to this frame. Set each time you change an alignment line, or right-click the button to set it to the current frame. Align!Button. Aligns the scene to match the alignment lines defined—on the frame given by theAt…button. Other frames are adjusted correspondingly. To sequence through all the possible solutions,control-click this button. Solver Control Panel Go!Button. Starts the solving process, after tracking is complete. Master Reset. Button. Resets all cameras/objects and the trackers on them, though all Disabled camera/objects are left untouched. Control-click to clear the seed path, and optionally the seed FOV (after confirmation). Error. Number display. Root-mean-square error, in horizontal pixels, of all trackers associated with this object or tracker. Seeding Method.Upper drop-down list controlling the way the solver begins its solving process, chosen from the following methods Auto. List Item. Selects the automatic seeding(initial estimation) process, for a camera that physically moves during the shot. Refine. List item. Resumes a previous solving cycle, generally after changes in trackers or coordinate systems. Tripod. List Item. Use when the camera pans, tilts, and zooms, but does not move. Refine Tripod. List item. Resumes a previous solving cycle, but indicates that the camera was mounted on a tripod. Indirect. List Item. Use for camera/objects which will be seeded from links to other camera/objects, for example, a DV shot indirectly seeded from digital camera stills. Individual. List Item. Use for motion capture. The object s trackers are solved individually to determine their path, using the same feature on other “Individual” objects; the corresponding trackers are linked in one direction. Points. List Item. Seed from seed points, set up from the 3-D trackers panel. Use with on-set measurement data, or afterSet Allon the Coordinate Panel. You should still configure coordinate system constraints with this mode some hard locks and/or distance constraints. Path. List Item. Uses the camera/object s seed path as a seed, for example, from a previous solution or a motion-controlled camera. Disabled. List Item. This camera/object is disabled and will not be solved for. Directional Hint. Second drop-down list. Gives a hint to speed the initial estimation process, or to help select the correct solution, or to specify camera timing for “Individual” objects. Chosen from the following for Automatic objects Automatic. List Item. In automatic seeding mode, SynthEyes can be given a hint as to the general direction of motion of the camera to save time. With the automatic button checked, it doesn’t need such a hint. Left. List Item. The camera moved generally to its left. Right. List Item. The camera moved generally to its right. Up. List Item. The camera moved generally upwards. Down. List Item. The camera moved generally downwards. Push In. List Item. The camera moved forward (different than zooming in!). Pull Back. List Item. The camera moved backwards (different than zooming out!). Camera Timing Setting. The following items are displayed when “Individual” is selected as the object solving mode. They actually apply to the entire shot, not just the particular object. Sync Locked. List Item. The shot is either the main timing reference, or is locked to it (ie, gen-locked video camera). Crystal Sync. List Item. The camera has a crystal-controlled frame rate (ie a video camera at exactly 29.97 Hz), but it may be up to a frame out of synchronization because it is not actually locked. Loosely Synced. List item. The camera s frame rate may vary somewhat from nominal, and will be determined relative the reference. Notably, a mechanical film camera. Slow but sure. Checkbox. When checked, SynthEyes looks especially hard (and longer) for the best initial solution. Constrain. Checkbox for experts. When on, constraints set up using the coordinate system panel are applied rigorously, modifying the tracker positions. When off, constraints are used to position, size, and orient the solution, without deforming it. Seealignment vs constraints. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Begin. Spinner and checkbox. Numeric display shows an initial frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the begin frame solution. Either manually or automatically, the camera should have panned or tilted only about 30 degrees. If the camera does something wild between the automatically-selected frames, or if their data is particularly unreliable for some reason, you can manually select the frames instead. The selected frame will be selected as you adjust this, and the number of frames in common shown on the status line. End. Spinner and checkbox. Numeric display shows a final frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the end frame solution. World size. Spinner. Rough estimate of the size of the scene, including the trackers and motion of the camera. Transition Frms. Spinner. When trackers first become usable or are about to become unusable, SynthEyes gradually reduces their impact on the solution, to maintain an undetectable transition. The value specifies how many frames to spread the transition over. Filter Frms. Spinner. Controls post-solving path filtering. If this control is set to 3, say, then each frame s camera position is a (weighted) average of its position within 3 frames earlier and 3 frames later in the sequence. A larger number creates a smoother path, butincreaseserrors. Overall Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the data for each frame from this object s trackers. Lower values allow a sloppier match, higher values cause a closer match, for example, on a high-resolution calibration sequence consisting of only a few frames.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. More. Button. Brings up or takes down the Hard and Soft Lock Controls dialog. Axis Locks. 7 Buttons. When enabled, the corresponding axis of the current camera or object is constrained to match the corresponding value from the seed path. These constraints are enforced either loosely after solving, with Constrain off, or tightly during solving, with Constrain on. See the section onConstraining Camera or Object Position. Animated. Right-click to remove a key on the current frame. L/R. Left/right axis (ie X) F/B. Front/back axis (Y or Z) U/D. Up/down axis (Z in Z-up or Y in Y-up) FOV. Camera field of view (available/relevant only for Zoom cameras) Pan. Pan angle around ground plane Tilt. Tilt angle up or down from ground plane Roll. Roll angle from vertical Never convert to Far.Normally, SynthEyes monitors trackers during 3-D solves, and automatically converts trackers to Far if they are found to be too far away. This strategy backfires if the shot has very little perspective to start with, as most trackers can be converted to far. Use this checkbox if you wish to try obtaining a 3-D solve for your nearly-a-tripod shot. Coordinate System Control Panel Tracker Name. Edit. Shows the name of selected tracker, or change it to describe what it is tracking. Camera/Object. Drop-down list. Shows what object or camera the tracker is associated with; change it to move the tracker to a different object or camera on the same shot (or, you can clone it there for special situations). Entries beginning with asterisk(*) are on a different shot with the same aspect and length; trackers may be moved there, though this may adversely affect constraints, lights, etc. *3. Button. Starts and controls three-point coordinate setup mode. Click it once to begin, then click on origin, on-axis, and on-plane trackers in the camera view, 3-D viewports, or perspective window. The button will sequence through Or, LR, FB, and Pl to indicate which tracker should be clicked next. Click this button to skip from LR (left/right) to FB (front/back), or to skip setting other trackers. After the third tracker, you will have the opportunity to re-solve the scene to apply the new settings. Seed Lock Group X, Y, Z.Buttons. Multi-choice buttons flip between X, X+, X-; Y, Y+, Y-; and Z, Z+,Z- respectively. These buttons control which possible coordinate-system solution is selected when there are several possibilities. Only significant when the tracker is locked on one or two axes. X, Y, Z. Spinners. An initial position used as a guess at the start of solving (if seed checkbox on), and/or a position to which the tracker is locked, depending on the Lock Type list. Seed. Mode button. When on, the X/Y/Z location will be used to help estimate camera/object position at the start of solving, if Points seeding mode is selected. Peg. Mode button. If on, and the Solver panel s Constrain checkbox is on, the tracker will be pegged exactly, as selected by the Lock Type. Otherwise, the solver may modify the constraints to minimize overall error. See documentation for details and limitations. Far. Mode button. Turn on if the tracker is far from the camera. Example If the camera moved 10 feet during the shot, turn on for any point 10,000 feet or more away. Far points are on the horizon, and their distance can not be estimated. This button states yourwish, SynthEyes may solve a tracker as far anyway, if it is determined to have too little perspective. Lock Type. Drop-down list. Has no effect if Unlocked. The other settings tell SynthEyes to force one or more tracker position coordinates to 0 or the corresponding seed axis value. Use to lock the tracker to the origin, the floor, a wall, a known measured position, etc. See the section onLock Mode Details. If you select several trackers, some with targets, some without, this list will be empty—right-click the Target Point button to clear it. Target Point. Button. Use to set up links between trackers. Select one tracker, click the Target Point button to select the target tracker by name. Or, ALT-click (Mac Command-Left-Click) the target tracker in the camera view or 3-D viewport. If the trackers are on the same camera/object, the Distance spinner activates to control the desired distance between the trackers. You can also lock one or more of their coordinates to be identical, forcing them parallel to the same axis or plane. If the trackers are on different camera/objects, you have created a link the two trackers will be forced to the same location during solving. If two trackers track the same feature, but one tracker is on a DV shot, the other on digital camera stills, use the link to make them have the same location. Right-click to remove an existing target tracker. Dist. Spinner. Sets the desired distance between two trackers on the same object. Solved. X, Y, Z numbers. After solving, the final tracker location. Error. Number. After solving, the root-mean-square error between this tracker s predicted and actual positions. If the error exceeds 1 pixel, look for tracking problems using the Tracker Graph window. [FAR]. This will show up after the error value, if the tracker has been solved as far. Set Seed. Button. After solving, sets the computed location up as the seed location for later solver passes using Points mode. All. Button. Sets up all solved trackers as seeds for subsequent passes. Exportable. Checkbox. Uncheck this box to tell savvy export scripts not to export this tracker. For example, exporting to a compositor, you may want only a half dozen of a hundred or two automatically-generated trackers to be exported and create a new layer in the compositor. Non-exportable points are shown in a different color, somewhat closer to that of the background. 3-D Control Panel Creation Mesh Type. Drop-down. Selects the type of object created by the Create Tool. Create Tool. Mode button. Clicking in a 3-D viewport creates the mesh object listed on the creation mesh type list, such as a pyramid or Earthling. Most mesh objects require two drag sequences to set the position, size, and scale. Note that mesh objects are different than objects created with the Shot Menu s Add Moving Object button. Moving objects can have trackers associated with them, but are themselves null objects. Mesh objects have a mesh, but no trackers. Often you will create a moving object and its trackers, then add a mesh object(s) to it after solving to check the track. Object name. Editable drop-down. The name of the object selected in the 3-D or camera viewports. Changeable. Delete. Button. Deletes the selected object. Lock Selection. Mode button. Locks the selection in the 3-D viewport to prevent inadvertent reselection when moving objects. World/Object. Mode button. Switches between the usual world coordinate system, and the object coordinate system where everything else is displayed relative to the current object or camera, as selected by the shot menu. Lets you add a mesh aligned to an object easily. Move Tool. Mode button. Dragging an object in the 3-D viewport moves it. Rotate Tool. Mode button. Dragging an object in the 3-D viewport rotates it about the axis coming up out of the screen. Scale Tool. Mode button. Dragging an object in the 3-D viewport scales it uniformly. Use the spinners to change each axis individually. Make/Remove Key., Button. Adds or removes a key at the current frame for the currently-selected object. Show/Hide. Button. Show or hide the selected mesh object. Object color. Color Swatch. Object color, click to change. X/Y/Z Values. Spinners. Display X, Y, or Z position, rotation or scale values, depending on the currently-selected tool. Size. Spinner. This is an overall size spinner, use it when the Scale Tool is selected to change all three axis scales in lockstep. Whole. Button. When moving a solved object, normally it moves only for the current frame, allowing you to tweak particular frames. If you turn on Whole, moving the object moves the entire path, so you can adjust your coordinate system without using locks. If you do this, you should set up some locks subsequently and switch to Point or Path seeding, or you will have to readjust the path again if you re-solve.Hint Whole mode has some rules to decide whether or not to affect meshes. To force it to include all meshes in the action, turn onWhole affects mesheson the 3-D viewport and perspective window s right-click menu. Blast. Button. Writes the entire solved history onto the object s seed path, so it can be used for path seeding mode. Reset. Button. Clears the object s solved path, exposing the seed path. Cast Shadows. (Mesh) Object should cast a shadow in the perspective window. Catch Shadows. (Mesh) Object should catch shadows in the perspective window. Back Faces. Draw the both sides of faces, not only the front. Invert Normals. Make the mesh normals point the other way from their imported values. Lighting Control Panel New Light. Button. Click to create a new light in the scene. Delete Light. Button. Delete the light in the selected-light drop-down list. Selected Light. Drop-down list. Shows the select light, and lets you change its name, or select a different one. Far-away light. When checked, light is a distant, directional, light. When off, light is a nearby spotlight or omnidirectional(point) light. Compute over frames This, All, Lock. In the (normal) This mode, the light s position is computed for each frame independently. In the All or Lock mode, the light s position is averaged over all the frames in the sequence. In the All mode, this calculation is performed repeatedly for “live updates.” In the Lock mode, the calculation occurs only when clicking the Lock button. New Ray. Button. Creates a new ray on the selected light. Delete Ray. Button. Delete the selected ray. Previous Ray ( ). Button. Switch to the previous lower-numbered ray on the selected light. Ray Number. Text field. Shows something like 1/3 to indicate ray 1 of 3 for this light. Next Ray ( ). Button. Switch to the next higher ray on the selected light. Selected Ray Source. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. Target. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. If the source and target trackers are the same, it is a reflected-highlight tracking setup, and the Target button will show “(highlight).” For highlight tracking to be functional, there must be a mesh object for the tracker to reflect from. Distance. Spinner. When only a single ray to a nearby light is available, use this spinner to adjust the distance to the light. Leave at zero the rest of the time. Flex/Curve Control Panel Theflex/curvecontrol panel handles both object types, which are used to determine the 3-D position/shape of a curve in 3-D, even if it has no discernable point features. If you select a curve, the parameters of its parent flex (if any) will be shown in the flex section of the dialog. New Flex. Creates and selects a new flex. Left-click successively in a 3-D view or the perspective view to lay down a series of control points. Right-click to end. Delete Flex. Deletes the selected flex (even if it was a curve that was initially clicked). Flex Name List. Lists all the flexes in the scene, allowing you to select a flex, or change its name. Moving Object List. If the flex is parented to a moving object, it is shown here. Normally, “(world)” will be listed. Show this 3-D flex. Controls whether the flex is seen in the viewports or not. Clear. Clears any existing 3-D solution for the flex, so that the flex s initial seed control points may be seen and changed. Solve. Solves for the 3-D position and shape of the flex. The control points disappear, and the solved shape becomes visible. All. Causes all the flexes to be solved simultaneously. Pixel error. Root-mean-square (~average) error in the solved flex, in horizontal pixels. Count. The number of points that will be solved for along the length of the flex. Stiffness. Controls the relative importance of keeping the flex stiff and straight versus reproducing each detail in the curves. Stretch. Relative importance of (not) being stretchy. Endiness. (yes, made this up) Relative importance of exactly meeting the end-point specification. New Curve. Begins creating a new curve—click on a series of points in the camera view. Delete. Deletes the curve. Curve NameList.Shows the currently-selected curves name among a list of all the curves attached to the current flex, or all the unconnected curves if this one is not connected. Parent Flex List.Shows the parent flex of this curve, among all of the flexes. Show.Controls whether or not the curve is shown in the viewport. Enable.Animated checkbox indicating whether the curve should be enabled or not on the current frame. For example, turn it off after the curve goes off-screen, or if the curve is occluded by something that prevents its correct position from being determined. Key all.When on, changing one control point will add a key on all of them. Rough.Select several trackers, turn this button on, then click a curve to use the trackers to roughly position the curve throughout the length of the shot. Truncate.Kills all the keys off the tracker from the current frame to the end of the shot. Tune.Snaps the curve exactly onto the edge underneath it, on the current frame. All.Brings up theCurve Tracking Controldialog, which allows this curve, or all the curves, to be tracked throughout an entire range of frames.
https://w.atwiki.jp/dragonkiller/pages/609.html
【BEHRINGER】シンセサイザーの歴史 公開日:2017年07月05日 更新日:2023年11月06日 概要 BEHRINGER(ベーリンガー)製品について。 シンセサイザー全体については★関連記事【SYNTHESIZER】シンセサイザーの歴史を参照。 ∧_∧ ( ゚ω゚ ) シンセは任せろー ベリベリC□l丶l丶 / ( ) やめて! (ノ ̄と、 i しーJ 目次 【BEHRINGER】シンセサイザーの歴史/概要/目次/ページの登録タグ歴史/2000/2010/2000 特徴/公式サイト/BEHRINGER/製品/読み方/発売/販売/クローン製品/シンセ/未発売、プロトタイプ/リズムマシン/バンドルソフト 製品/シンセ/MIDIコントローラー/オーディオインターフェイス/アナログミキサー/ミキサー/デジタルミキサー/電子ドラム/デジタルピアノ/マイク/コンデンサマイク/ダイナミックマイク/エフェクター/スピーカー 動画/シンセなど/DeepMind12/MODEL D/MS-101/RD-808/オーディオ/302USB/1204USB/UM2/MIDIコントローラー/X-Touch One 掲示板/DTMスレ/関連スレ/楽器、作曲板/ギター/ピュアオーディオ 検索/キーワード/SNS/ニュース ページの登録タグ BEHRINGER DAW DTM MIDI MIDIキーボード オーディオインターフェイス ベーリンガー 免責事項 商品の仕様・内容・デザイン・付属品・品番・価格等は予告なく変更になる場合があります。 掲載されている内容が最新とは限りません。 掲載されている内容に不備がある場合があります。 掲載されている内容を保証するものではありません。 歴史 2000 2000NAMM2000に出展。 2001NAMM2001に出展。 2002NAMM2002に出展。「DDX3216」展示。 中国に自社工場設備「BEHRINGER City」を創設。 デジタルミキサー「DDX3216」発売。 エフェクター「V-AMP2」発売。 2003NAMM2003に出展。 2004NAMM2004に出展。「B-CONTROL BCF2000」「B-CONTROL BCR2000」展示。 MIDIコントローラー「B-CONTROL BCF2000」発売。モーター付きのフェーダー搭載。新製品。 MIDIコントローラー「B-CONTROL BCR2000」発売。ノブ付き。新製品。 オーディオインターフェイス「B-CONTROL BCA2000」発売。USB接続。新製品。 アナログミキサー「EURORACK UBシリーズ」発売。 2005NAMM2005に出展。 2006NAMM2006に出展。「XENYXシリーズ」展示。 MIDIキーボード「U-CONTROL UMX25/UMX49/UMX61」発売。新製品。 オーディオインターフェイス「U-CONTROL UCA202」発売。USB接続。新製品。 オーディオインターフェイス「F-CONTROL FCA202」発売。Firewire接続。新製品。 DJコントローラー「BCD2000」発売。 2007NAMM2007に出展。「Podcastudio」展示。 MIDIキーボード「U-CONTROL UMA25S」発売。ストラップ対応。★関連記事ショルダーキーボード 2008NAMM2008に出展。 2009NAMM2009に出展。「XENYX 1002B」展示。 エフェクター「V-AMP3」発売。 Music Groupを設立。 2010 2010NAMM2010に出展。「XENYX Xシリーズ」展示。 MIDIキーボード「U-CONTROL UMX250/UMX490/UMX610」発売。 2011NAMM2011に出展。「X32」「Xenyx UFX1604」「XENYX 302USB」展示。 「XENYX 302USB」発売。ネット配信向けミキサー。★関連記事動画制作 2012NAMM2012に出展。「FCA 610」「FCA1616」「XENYX iXシリーズ」「XENYX Qシリーズ」展示。 デジタルミキサー「X32」発売。 電子ドラム「XD80USB」「XD8USB」発売。新製品。 2013NAMM2013に出展。「iX16」「X32 compact」「U-PHORIAシリーズ」展示。 オーディオインターフェイス「U-PHORIA UM2/UMC202/UMC22/UMC204」発売。 BEHRINGER製品にTracktion 4をバンドル。https //www.tracktion.com/news/behringer-bundles-tracktion-4 2014NAMM2014に出展。「MOTOR 49」「MOTOR 61」「X TOUCH」「X TOUCH COMPACT」「X-TOUCH MINI」展示。 2015NAMM2015に出展。「ENYX QX602MP3」「X TOUCH」「X TOUCH COMPACT」「XENYX QX602MP3」 12月、MIDIコントローラー「X-TOUCH」発売。 2016NAMM2016に出展。 1月、MIDIキーボード「MOTOR 49」「MOTOR 61」発売。モーター付きのフェーダー搭載。 7月、アナログシンセ「DeepMind 12」発表。ROLAND JUNO風(クローン)。エフェクト搭載。 2017NAMM2017に出展。「DeepMind 12」展示。 1月、アナログシンセ「DeepMind 12」発売。999.99ドル。49鍵盤、12ボイス、2OSC、4系統エフェクト。新製品。 4月、アナログシンセ「DeepMind 12 Desktop」発表。 4月、アナログシンセ「DeepMind 6」発表。37鍵盤、6ボイス、2OSC、4系統エフェクト。 4月、デスクトップ型アナログシンセ「behringer D」発表。minimmog model D風(クローン)。 6月、日本国内でアナログシンセ「DeepMind 12」発売。\118,000(税抜) 8月?、デスクトップ型アナログシンセ「DEEPMIND 12D」発売。 \99,800(税抜) 20181月、NAMM2018に出展。「Neutron」展示。 1月、アナログシンセ「UB-Xa」発表。Oberheim OB-Xa風(クローン)。 1月、ボコーダー「VC340」発表。ROLAND VP-330風(クローン)。 3月、日本国内でアナログシンセ「DeepMind6」発売。 \79,800(税抜) 4月、モジュールシンセ「Behringer M100」発表。ROLAND SYSTEM-100風シンセ(クローン)。 5月、リズムマシン「RD-808」発表。ROLAND TR-808風リズムマシン(クローン)。 5月、アナログシンセ「Behringer Odyssey」発表。ARP Odyssey風シンセ(クローン)。 5月、アナログシンセ「Pro-One」発表。Sequential Circuits Pro-One風シンセ(クローン)。 9月 - 株式会社エレクトリがBEHRINGER ベリンガー(MUSIC Tribe社製品)の輸入代理店業務を開始。 9月、リズムマシン「RD-909」発表。ROLAND TR-909風リズムマシン(クローン)。 11月、日本国内でアナログシンセサイザー「MODEL D」発売。399ドル。 11月、日本国内でセミモジュラーアナログシンセ「NEUTRON」発売。 20191月、NAMM2019に出展。「Behringer Odyssey」「CV340」「MS-101」「Crave」展示。 4月、日本国内でボコーダー「VC340」発売。https //www.electori-br.jp/news/740.html 6月、「CS」発表。 7月、日本国内でアナログシンセ「MS-101」発売。https //www.electori-br.jp/news/745.html 8月、「K-2」発表。KORG MS-20風(クローン)。 10月、日本国内でアナログシンセ「Behringer Odyssey」発売。 10月、レコーディングバンドルセット「U-PHORIA STUDIO PRO」発売。USBオーディオインターフェース「UMC202HD」、コンデンサーマイク「C-1」、ヘッドホン「HPS5000」のセット 11月、「TD-3」発表。ROLAND TB-303風(クローン)。 11月、「POLY D」発表。 11月、「WASP DELUXE」発表。 11月、日本国内でアナログシンセ「K-2」発売。https //www.electori-br.jp/news/774.html 12月、「PODCASTUDIO 2 USB」発表。 12月、日本国内でアナログシンセ「Crave」発売。 12月、日本国内でアナログシンセ「PRO-1」発売。 2000 20201月、「RHYTHM DESIGNER RD-8」発売。 1月、「48チャンネルデジタルミキサー 「WING」発売。 1月、「WASP DELUXE」発売。 3月、アナログベースラインシンセサイザー「TD-3」発売。14,800税抜。 3月、「POLY D」発売。 3月、モジュール「2500 Module」発売。 3月、MUSIC TRIBEがDAWソフト開発を発表。 10月、「CAT」発売。 月、USBコンデンサーマイク「BIGFOOT」発売。 12月、「RHYTHM DESIGNER RD-6」発売。 12月、コンデンサーマイクセット「TM1」発売。 20213月、「MONOPOLY」発売。 3月、「2600」発売。 3月、「2600 Blue Marvin」発売。 3月、「2600 Gray Meanie」発売。 3月、 USBデジタル・ミキサー「FLOW 8」発売。 10月、「RHYTHM DESIGNER RD-9」発売。 20221月、「TD-3-MO-AM」(アンバー)「TD-3-MO-SR」(シルバー)発売。 1月、USBオーディオインターフェース「STUDIO L」発売。 2月、ユーロラック用マルチエンジンオシレーターモジュール「BRAINS」発売。 2月、USBオーディオインターフェース/スタジオコントローラー「STUDIO XL」発売。 2月、オクターバー/リンガーエフェクトペダル「OCTAVE DIVIDER」発売。 6月、USBオーディオインターフェース「UV1」発売。 6月、コンデンサーマイクロホン「VIDEO MIC」発売。 8月、レコーディングバンドルセット「PODCASTUDIO 2 USB」発売。USBオーディオインターフェース機能付きミキサー「XENYX 302USB」、ダイナミックマイクロホン「XM8500」、ヘッドホン「HPM1000」のセット ?月、「」発売予定。 ?月、「」発売予定。 2023 2024 2025 2026 2027 2028 2029 未定「EDGE」 「Proton」 「2-XM」 「Hirotribe」 「The Model 15」 「Model D Soul」 特徴 公式サイト BEHRINGER http //www.behringer.com/ BEHRINGER http //www.music-group.com/brand/behringer/home BEHRINGERチャンネル https //www.youtube.com/channel/UCuI9mKTljZlI-y-eyaeGcNw BEHRINGERアカウント(2009年1月~) https //twitter.com/BEHRINGER Music Group社 https //music-group.force.com/ ■日本 BEHRINGER JPアカウント(2010年5月~) https //twitter.com/behringerjp Care JP MUSIC Tribeチャンネル(2017年5月~) https //www.youtube.com/channel/UCUAnr_JAsc2McnbBVxyLtEg BEHRINGER 創設者はウリ・ベリンガー。 製品 オーディオ機器を低価格で実現。 ○○に似たような製品を低価格で実現。 読み方 ベリンガー:代理店の表記。 ベリンジャー:実際の発音。 ベーリンガー:他の企業の表記。 発売 発表から発売まで時間がかかることがある。 日本国内は海外より遅れる場合がある。 販売 サウンドハウス(~2018年2月26日まで) http //www.soundhouse.co.jp/ ホットラインミュージック株式会社(島村楽器) http //www.hotlinemusic.co.jp 株式会社エレクトリ(2018年9月~) https //www.electori-br.jp/behringer クローン製品 シンセ DeepMind 12:ROLAND JUNO ★関連記事[[]] MODEL D:moog minimoog★関連記事[[]] UB-Xa:Oberheim OB-Xa★関連記事[[]] VC340:ROLAND VP-330★関連記事[[]] MS-101:ROLAND SH-101★関連記事[[]] Behringer M100R(未発売):ROLAND SYSTEM-100★関連記事[[]] Behringer Odyssey(未発売):ARP Odyssey★関連記事[[]] Pro-One:Sequential Circuits Pro-One★関連記事[[]] Behringer Solina String Ensemble:Solina String Ensemble 2500 Module:ARP 2500 MonoPoly:Mono/Poly 未発売、プロトタイプ UB-Xa:OB-Xa PRO-800:PROPHET-600 UB-Xa。風シンセ(クローン)。 UB-Xa D。風シンセ(クローン)。 BBG wave。風シンセ(クローン)。 PRO-800。PROPHET-600風シンセ(クローン)。 VCS3。EMS VCS3風シンセ(クローン)。 DS-80 MS-5 Jupiter-8風シンセ(クローン)。 Syncussion SY1 1601。Arp Sequencer Model 1601風シンセ(クローン)。 PRO VS。Sequential Circuits Prophet VS風シンセ(クローン)。 JP-4000 SATURN Toro Moog Taurus風シンセ(クローン)。 UB-1 Kobol Expander リズムマシン RD-8:ROLAND TR-808★関連記事[[]] RD-9:ROLAND TR-909★関連記事[[]] バンドルソフト Energy XT TRACKTION ★関連記事【DAW】Tracktionを参照。 製品 シンセ DeepMind 12(2017年発売)12ポリ。49鍵盤キーボード型。 DEEPMIND 12D (?)12ポリ。デスクトップ型。 DeepMind 6(?)6ポリ。37鍵盤キーボード型。 MODEL D(2018)3系統のVCO。デスクトップ型。 https //www.electori-br.jp/products/450.html NEUTRON(2018)デスクトップ型。 https //www.electori-br.jp/products/449.html MS-101-RD レッド http //www.musictribe.com/Categories/Behringer/Keyboards/Synthesizers-and-Samplers/MS-101-RD/p/P0D8D MS-101-BU ブルー http //www.musictribe.com/Categories/Behringer/Keyboards/Synthesizers-and-Samplers/MS-101-BU/p/P0DNH MS-101-BK ブラック http //www.musictribe.com/Categories/Behringer/Keyboards/Synthesizers-and-Samplers/MS-101-BK/p/P0DNG EURORACK STAND (3-TIER) ユーロラックスタンド EURORACK RACK ユーロラックラック EURORACK 104 ユーロラックラック MIDIコントローラー ★関連記事【DTM】MIDIキーボード、コントローラー B-CONTROL BCF2000(2004年発売)モーター付きのフェーダー。 B-CONTROL BCR2000(2004年発売)ロータリー。32個 U-CONTROL UMX25(2006年発売) キーボード。 U-CONTROL UMX49(2006年発売) キーボード。 U-CONTROL UMX61(2006年発売) キーボード。 B-CONTROL BCF2000-WH(2007?年発売) モーター付きのフェーダー。 http //www.musictri.be/Categories/Behringer/Computer-Audio/Desktop-Controllers/BCF2000-WH/p/P0817 B-CONTROL BCF2000-WH(2007?年発売) ロータリー U-CONTROL UMA25S(2007年発売) キーボード。レッド。オーディオインターフェイス内蔵。 U-CONTROL UMX250(2010年発売) キーボード。レッド。 U-CONTROL UMX490(2010年発売) キーボード。レッド。 U-CONTROL UMX610(2010年発売) キーボード。レッド。 X-TOUCH(2015年発売)モーター付きのフェーダー。Mackie Control互換。 X-TOUCH COMPACT(2015年発売)モーター付きのフェーダー。 X-TOUCH MINI(2015年発売) MOTOR 49(2016発売)キーボード。モーター付きのフェーダー。 MOTOR 61(2016発売)キーボード。モーター付きのフェーダー。 SWING(2021) MIDI/CVキーボード シーケンサー https //www.electori-br.jp/products/945.html オーディオインターフェイス ★関連記事【DTM】オーディオインターフェイス ■FireWire接続 F-CONTROL FCA202(2006年発売)24bit/96kHz対応。2In/2Out。参考価格:6000円~ http //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/FCA202/p/P0451 ■FireWire/USB接続 FCA610(2013年発売)24bit/96kHz対応。6In/10Out。MIDI入出力搭載 https //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/FCA610/p/P0A3B FCA1616(2013年発売)24bit/96kHz対応。16In/16Out。MIDI入出力搭載 https //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/FCA1616/p/P0A3A ■USB接続 B-CONTROL BCA2000(2004) U-CONTROL UCA202(2006年発売)筐体シルバー。16Bit/48kHz対応。参考価格:3000円~ http //www.behringer.com/EN/Products/UCA202.aspx PODCASTUDIO USB セット「XENYX 502」「UCA200(またはUCA222)」「XM8500」「HPM1000 」 https //www.musictribe.com/Categories/Behringer/Computer-Audio/Recording-Packages/PODCASTUDIO-USB/p/P0664 U-CONTROL UCA222(2009年発売?)筐体赤。16Bit/48kHz対応。参考価格:3000円~ http //www.behringer.com/EN/Products/UCA222.aspx U-PHONO UFO202(2009年発売?)筐体シルバー。レコード録音向け。16Bit/48kHz対応。参考価格:3000円~ http //www.behringer.com/EN/Products/UFO202.aspx U-CONTROL UFO202-BK(?年発売)筐体黒 http //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/UFO202-BK/p/P0AAT U-CONTROL UCA200-GY(2006?年発売)筐体グレー http //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/UCA200-GY/p/P0496 U-CONTROL UCA200-SR(?年発売) http //www.musictri.be/Categories/Behringer/Computer-Audio/Interfaces/UCA200-SR/p/P0585 XENYX CONTROL1USB(2013)モニター・コントローラー http //www.musictribe.com/Categories/Behringer/Signal-Processors/Headphone-Amplifiers/CONTROL1USB/p/P0AEI CONTROL2USB モニター・コントローラー http /www.musictribe.com/Categories/Behringer/Signal-Processors/Headphone-Amplifiers/CONTROL2USB/p/P0BP0 MONITOR2USB モニター・コントローラー http //www.musictribe.com/Categories/Behringer/Signal-Processors/Headphone-Amplifiers/MONITOR2USB/p/P0BK8 UM2(2013)24bit/48kHz対応。2イン/2アウト。操作ノブは上部。 http //www.behringer.com/EN/Products/UM2.aspx UMC22(2013)24bit/48kHz対応。2イン/2アウト。 http //www.behringer.com/EN/Products/UMC22.aspx UMC202(2013)24bit/48kHz対応。2イン/2アウト。 http //www.behringer.com/EN/Products/UMC202.aspx UMC204(2013)24bit/96kHz対応。2イン/4アウト。MIDI入出力搭載。 http //www.behringer.com/EN/Products/UMC204.aspx UMC1820(2014)24bit/96kHz対応。MIDI入出力搭載。参考価格35000円~ UMC404(2014)24bit/96kHz対応。MIDI入出力搭載。 http //www.behringer.com/EN/Products/UMC404.aspx UMC202HD(2015?)24bit/192kHz対応。参考価格14000円~ http //www.behringer.com/EN/Products/UMC202HD.aspx UMC204HD(2015?)24bit/192kHz対応。MIDI入出力搭載。参考価格18000円~ http //www.behringer.com/EN/Products/UMC204HD.aspx UMC404HD(2015?)24bit/192kHz対応。MIDI入出力搭載。 http //www.behringer.com/EN/Products/UMC404HD.aspx アナログミキサー ■ミキサーのみ EURORACK MX602A EURORACK MX802A EURORACK MX1604A EURORACK 20004A(2001) http //www.musictri.be/Categories/Behringer/Mixers/Analog/MX2004A/p/P0030 EURORACK MX2642A EURORACK MX1804X(2001) http //www.musictri.be/Categories/Behringer/Mixers/Analog/MX1804X/p/P0064 EURORACK MX3242X(2001) XENYX 502(2006?) XENYX 802(2006?) XENYX 1002(2006?) XENYX 1002FX(2006?) XENYX 1202(2006?) XENYX 1202FX(2006?) XENYX 1204(2006?) XENYX 1204FX(2006?) XENYX 1622FX(2006?) XENYX 1832FX(2006?) XENYX 2222FX(2006?) XENYX 2422FX(2006?) XENYX QX602MP3 MP3プレーヤー搭載 XENYX 1002B EURODESK MX9000A EURODESK MX8000A EURODESK 3282A EURODESK 2442A EURODESK SX2442FX EURODESK SX3242FX ■USB接続 XENYX 1204USB(2010?) フェーダーモデル、エフェクト無し。 https //www.electori-br.jp/products/700.html XENYX X1204USB(2010?) フェーダーモデル、エフェクト有り。 https //www.electori-br.jp/products/684.html XENYX X1222USB(2010?)グラフィックイコライザー搭載。 https //www.electori-br.jp/products/683.html XENYX X1622USB(2010?)ラックマウントキット付属。3バンドイコライザー搭載。 https //www.electori-br.jp/products/682.html XENYX X1832USB(2010?)ラックマウントキット付属。グラフィックイコライザー搭載。 https //www.electori-br.jp/products/681.html XENYX X2222USB(2010?)ラックマウントキット付属。4バンドイコライザー搭載。 https //www.electori-br.jp/products/680.html XENYX X2442USB(2010?)ラックマウントキット付属。4バンドイコライザー搭載。 https //www.electori-br.jp/products/679.html XENYX 302USB(2011?)16-Bit/48kHz対応。低価格のミキサータイプ。5チャンネル。参考価格:4500円~ http //www.behringer.com/EN/Products/302USB.aspx http //www.hotlinemusic.co.jp/products/302usb.html XENYX Q502USB(2012?) http //www.behringer.com/EN/Products/Q502USB.aspx XENYX Q802USB(2012?)参考価格:8000円~ http //www.behringer.com/EN/Products/Q802USB.aspx XENYX Q1002USB(2012?)参考価格:9000円~ http //www.behringer.com/EN/Products/Q1002USB.aspx XENYX QX1002USB(?)参考価格:11000円~ MAINのみフェーダー http //www.behringer.com/EN/Products/QX1002USB.aspx XENYX Q1202USB(?)参考価格:10000円~ MAINのみフェーダー http //www.behringer.com/EN/Products/Q1202USB.aspx XENYX QX1202USB(?)参考価格:13000円~ MAINのみフェーダー http //www.behringer.com/EN/Products/QX1202USB.aspx XENYX Q1204USB(?)参考価格:15000円~ フェーダーモデル、エフェクト無し、ULMワイヤレスマイク対応。 http //www.behringer.com/EN/Products/Q1204USB.aspx https //www.electori-br.jp/products/696.html XENYX QX1204USB(?)参考価格:18000円~ フェーダーモデル、エフェクト有り、ULMワイヤレスマイク対応。 http //www.behringer.com/EN/Products/QX1204USB.aspx https //www.electori-br.jp/products/691.html XENYX QX1222USB(?) https //www.electori-br.jp/products/690.html XENYX QX1622USB(?) https //www.electori-br.jp/products/689.html XENYX QX1832USB(?) https //www.electori-br.jp/products/688.html XENYX QX2222USB(?) https //www.electori-br.jp/products/687.html XENYX QX2442USB(?) https //www.electori-br.jp/products/686.html XENYX iX1642USB(2012?)iPad用Dock搭載 XENYX iX2442USB(2012?)iPad用Dock搭載 XENYX iX3242USB(2012?)iPad用Dock搭載 ■FireWire/USB接続 XENYX UFX1204(2011?)16トラックUSBドライブレコーダー機能。 https //www.musictribe.com/Categories/Behringer/Mixers/Analog/UFX1204/p/P0AB2 https //www.electori-br.jp/products/678.html XENYX UFX1604(2011?)16トラックUSBドライブレコーダー機能。 https //www.musictribe.com/Categories/Behringer/Mixers/Analog/UFX1604/p/P0AB3 ミキサー EUROPOWER PMX1000 EUROPOWER PMX2000 ボックス型 EUROPOWER PMX3000 EUROPOWER PMX5000 大型 デジタルミキサー X32 X32 COMPACT X32 PRODUCER X32 RACK X AIR X12 X AIR X16 X AIR X18 電子ドラム ★関連記事【Electronic Drums・Electronic Percussion】電子ドラム・電子パーカッションの歴史 XD80USB(2012年発売)175サウンド、15ドラムセット。 XD8USB(2012年発売) 123サウンド、15ドラムセット。 デジタルピアノ マイク コンデンサマイク C-1U:USB端子 http //www.musictri.be/Categories/Behringer/Microphones/Condenser/C-1U/p/P0588 C-1 C-2 C-3 C-4 B-1 B-2 B-5 ECM8000 ダイナミックマイク エフェクター V-AMP V-AMP PRO 青、ラック型 V-AMP2 青 V-AMP3 赤 BASS V-AMP シルバー BASS V-AMP PRO ラック型 スピーカー B2031 B2031A 1999 B2030A 1999 B2092A 1999 動画 シンセなど DeepMind12 ■公式 JD73 Plays The Behringer DeepMind 12 Synthesizer https //www.youtube.com/watch?v=55EqwFc2CHw Behringer DeepMind 12 Patch Demonstration by JD73 https //www.youtube.com/watch?v=8xa3sRmxWpo Behringer DeepMind 12 Patch Demonstration - Bank B https //www.youtube.com/watch?v=4L8du1zVdRE ■ユーザー behringer DeepMind12 Demo Review https //www.youtube.com/watch?v=hrr4n6AvHHQ Behringer Deepmind 12 Factory presets Bank A 1-30 https //www.youtube.com/watch?v=Ahds_l-pkVI Deepmind 12 vs Juno 106 How to get similar tones https //www.youtube.com/watch?v=W1OrME6w7nQ 比較、サウンドメイク MODEL D ■ユーザー MS-101 RD-808 ■公式 Behringer Rhythm Designer https //www.youtube.com/watch?v=US4jz0vrUOQ オーディオ 302USB NAMM 2011 - The mighty, mini BEHRINGER 302USB 302USB Small Format Mixer USB Audio Interface https //www.youtube.com/watch?v=VhnoJrjZivI 1204USB XENYX 1204USB Premium 12-Input 2/2-Bus Mixer XENYX QX1204USB Small Format Mixer USB Audio Interface https //www.youtube.com/watch?v=OlDec54yacQ ■ユーザー ベリンガーのミキサー 簡単な使い方 Behringer Xenyx 1204USB https //www.youtube.com/watch?v=6q96bcuw9gQ UM2 Behringer UM2 Quick Start Guide U-PHORIA UM2 Audiophile 2x2 USB Audio Interface with XENYX Mic Preamplifier https //www.youtube.com/watch?v=yi9Myhjokt0 MIDIコントローラー X-Touch One X-Touch One With Logic Pro - Part 1 https //www.youtube.com/watch?v=nk8Z9ps1Hyg X-Touch One Logic Pro - Part 2 Features https //www.youtube.com/watch?v=SOHi26sqOks 掲示板 2ちゃんねる/5ちゃんねる DTMスレ ■2001 ■べリンガー、2つ以上持ってる奴はドキュソ http //pc3.2ch.net/test/read.cgi/dtm/1001003726/ ■2003 BEHRINGER、3個以上持ってる奴はチンピラ http //pc3.2ch.net/test/read.cgi/dtm/1043110446/ BEHRINGER、4個以上持ってる奴はアニキ http //pc4.2ch.net/test/read.cgi/dtm/1054520893/ ■2004 BEHRINGER、5個以上持ってる奴は生活保護受給者 http //pc8.2ch.net/test/read.cgi/dtm/1080610787/ ■2005 BEHRINGER、6個以上持ってる奴は社員 http //pc8.2ch.net/test/read.cgi/dtm/1113359050/ ■2006 BEHRINGER、7個以上持ってる奴は代理店 http //pc11.2ch.net/test/read.cgi/dtm/1149778159/ ■2007 BEHRINGER、8個以上持ってる奴は工作員 http //pc11.2ch.net/test/read.cgi/dtm/1175229525/ BEHRINGER、9個以上持ってる奴は機材難民 http //pc11.2ch.net/test/read.cgi/dtm/1189774257/ ■2008 BEHRINGER、10個以上持ってる奴は(^ω^)楽しいお http //anago.2ch.net/test/read.cgi/dtm/1220326061/ ■2012 BEHRINGER、11個以上持ってる奴は(^p^)おもすれー http //egg.2ch.net/test/read.cgi/dtm/1342122889/ ■2019 BEHRINGER、12個以上持ってる奴はヤバスギでしょ 関連スレ BEHRINGER U-CONTROL UMA25S https //pc11.5ch.net/test/read.cgi/dtm/1208854744/ 楽器、作曲板 ■2000 ベリンガー製品 http //mentai.5ch.net/test/read.cgi/compose/964455805/ 【ヤスイ】BEHRINGER/ベリンガー【ウマイ】 http //music4.2ch.net/test/read.cgi/compose/1106649140/ 【ウリ】BEHRINGER/ベリンガー 2 【ベリ】 http //music4.2ch.net/test/read.cgi/compose/1118248467/ BEHRINGER/ベリンガースレPart3 http //music4.2ch.net/test/read.cgi/compose/1128595363/ BEHRINGER/ベリンガースレPart4 http //music4.2ch.net/test/read.cgi/compose/1137500415/ BEHRINGER/ベリンガースレpart5 http //music6.2ch.net/test/read.cgi/compose/1143975438/ BEHRINGER/ベリンガースレpart6 http //music6.2ch.net/test/read.cgi/compose/1159340029/ BEHRINGER/ベリンガースレpart7 http //music8.2ch.net/test/read.cgi/compose/1172272608/ BEHRINGER/ベリンガースレpart8 http //music8.2ch.net/test/read.cgi/compose/1193162614/ BEHRINGER / ベリンガースレ part9 http //anchorage.2ch.net/test/read.cgi/compose/1212747242/ BEHRINGER / ベリンガースレ part10 http //toki.2ch.net/test/read.cgi/compose/1240360287/ ■2013 BEHRINGER / ベリンガースレ part12 http //mint.2ch.net/test/read.cgi/compose/1358597966/ ギター V-AMP 10 http //anchorage.2ch.net/test/read.cgi/compose/1216299362/ 【BEHRINGER】 V-AMP part11 http //anchorage.2ch.net/test/read.cgi/compose/1239798151/ 【安い】Bugeraアンプスレ【BEHRINGER】 http //toki.2ch.net/test/read.cgi/compose/1262828525/ ピュアオーディオ DEQ2496、プリアンプ、イコライザ関連 http //hobby9.2ch.net/test/read.cgi/pav/1175093383/ 【案外】ベリンガー総合【使える?】 https //hobby11.2ch.net/test/read.cgi/pav/1182336566/ http //awabi.2ch.net/test/read.cgi/pav/1182336566/ 【案外】ベリンガー総合 2【使える?】 http //awabi.2ch.sc/test/read.cgi/pav/1391504594 検索 キーワード SNS https //twitter.com/hashtag/BEHRINGER?src=hash https //twitter.com/hashtag/DeepMind12?src=hash https //twitter.com/hashtag/DeepMind12D?src=hash https //twitter.com/hashtag/DeepMind6?src=hash ニュース ■ニュース1「behringer」 Sandy Township building permits | News | thecourierexpress.com - 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Rasend Herz 「荒れ狂う心」 詞/In Extremo 曲/In Extremo 言語/ドイツ語 歌詞 Die Saat der Liebe Gebar das reine Kind Mit dem Pulsschlag Mein Herz zu rasen beginnt Mit meinesgleichen Ersehnte ich den Tanz Nach Sternen greifend Missachtend deren Glanz Mein rasend Herz zur Faust geballt Wird euch den Raubzug befehlen Die klare Stimme zum Himmel schallt Dem Schicksal das Glück zu stehlen Mein rasend Herz Mein rasend Herz Ein altes Weib mir Lichter zeigt Die ich schon immer haben wollt Beim Sturm des weißen Gipfels Hab ich mein Kindsein gezeugt Auf Knien den Wind ich anbete Dass der Zauber nie verweht Wenn ich betäubt daneben trete Die Visionen in Erfüllung gehen Mein rasend Herz zur Faust geballt Wird euch den Raubzug befehlen Die klare Stimme zum Himmel schallt Dem Schicksal das Glück zu stehlen Mein rasend Herz Mein rasend Herz Mein rasend Herz zur Faust geballt Wird euch den Raubzug befehlen Die klare Stimme zum Himmel schallt Dem Schicksal das Glück zu stehlen Mein rasend Herz Mein rasend Herz 日本語訳 愛の種から 無垢な子供が生まれた 鼓動と共に 俺の心は脈打ち始めた 俺と似た人間と 踊りたいと思っていた 星に向かって手を伸ばしていながら その輝きに気づいていなかった 拳に込めた 俺の荒れ狂う心が お前らに略奪を命じる はっきりした声が 天に響く 運命の手から己の幸運を 掴み取れと 俺の荒れ狂う心 俺の荒れ狂う心 馴染みの女が 俺を照らした 俺がずっと 待ち望んでいた光で 白い絶頂で 嵐が起こると 俺は自分の 子供をもうけた ひざまづいて 風に祈りを捧げる 魔法が解けることがないようにと このまま彼女の となりを歩めば 俺の望みが 現実のものとなる 拳に込めた 俺の荒れ狂う心が お前らに略奪を命じる はっきりした声が 天に響く 運命の手から己の幸運を 掴み取れと 俺の荒れ狂う心 俺の荒れ狂う心 拳に込めた 俺の荒れ狂う心が お前らに略奪を命じる はっきりした声が 天に響く 運命の手から己の幸運を 掴み取れと 俺の荒れ狂う心 俺の荒れ狂う心 補足・解説 サビのバックのバグパイプのメロディと間奏部分のメロディは、過去にアルバム Die Goldene や Hameln でもカバーしている、ギヨーム・ド・マショー(Guillaume de Machaut)作詞作曲の "Quant je sui mis au retour" のものです。
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The Fantastic Inventions of Nikola Tesla (The Lost Science Series) Adventures Unlimited Pr? Nikola Tesla? David Hatcher Childress? AdventuresUnlimitedPr? NikolaTesla? DavidHatcherChildress? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-People,A-Z-(T)-Tesla,Nikola? Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology of the Gods The Incredible Sciences of the Ancients Adventures Unlimited Pr? David Hatcher Childress? AdventuresUnlimitedPr? DavidHatcherChildress? ジャンル別? 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1974 UK Tour 10.30 – UK, Manchester, Palace 10.31 – UK, Hanley, Victoria Hall 11.01 – UK, Liverpool, Empire Theatre 11.02 – UK, Leeds, University 11.03 – UK, Coventry, Theatre 11.05 – UK, Sheffield, City Hall 11.06 – UK, Bradford, St Georges Hall 11.07 – UK, Newcastle, City Hall 11.08 – UK, Glasgow, Apollo Theatre 11.09 – UK, Lancaster, University 11.10 – UK, Preston, Guildhall 11.12 – UK, Bristol, Colston Hall 11.13 – UK, Bournemouth, Winter Gardens 11.14 – UK, Southampton, Gaumont 11.15 – UK, Swansea, Brangwyn Hall 11.16 – UK, Birmingham, Town Hall 11.18 – UK, Oxford, New Theatre 11.19 – UK, London, Rainbow Theatre 11.20 – UK, London, Rainbow Theatre Europe Tour 11.23 – Sweden, Gothenburg, Konserthuset 11.25 – Finland, Helsinki, Helsingin Kulttuuritalo 11.27 - Sweden, Lund, Olympen Cancelled:11.28 – Denmark, Copenhagen, Tivoli Cancelled:11.29 – Norway, Oslo, Chaleau Neuf 12.02 – Germany, Munich, Brienner Theatre 12.04 – Germany, Frankfurt, Palmengarten 12.05 – Germany, Hamburg, Musikhalle 12.06 – Germany, Cologne, Startoryhalle 12.08 – Holland, The Hague, Congres Gebouw 12.10 – Belgium, Brussels, 140 Theatre 12.13 – Spain, Barcelona, Palacio De Los Deportes 1975年 North America Tour 02.05 – USA, Columbus, Agora 02.06 - USA, Cincinatti, Reflections 02.07 – USA, Dayton, Palace Theatre 02.08 – USA, Cleveland, Music Hall (afternoon show) 02.08 – USA, Cleveland, Music Hall (evening show) 02.09 – USA, South Bend, Morris Civic Auditorium 02.10 – USA, Detroit, Ford Auditorium 02.11 – USA, Toledo, Student Union Auditorium 02.14 – USA, Waterbury, Palace Theatre 02.15 – USA, Boston, Orpheum Theatre (afternoon show) 02.15 – USA, Boston, Orpheum Theatre (evening show) 02.16 – USA, New York, Avery Fisher Hall (afternoon show) 02.16 – USA, New York, Avery Fisher Hall (evening show) 02.17 – USA, Trenton, War Memorial 02.19 – USA, Lewiston 02.21 – USA, Passaic, Capitol Theatre 02.22 – USA, Harrisburg, Farm Arena 02.23 – USA, Philadelphia, Erlinger Theatre (afternoon show) 02.23 – USA, Philadelphia, Erlinger Theatre (evening show) 02.24 – USA, Washington, Kennedy Centre Cancelled:02.25 – USA, Pittsburg Cancelled:02.26 – USA, Kutzon Cancelled:02.27 – USA, Buffalo Cancelled:02.28 – Canada, Toronto Cancelled:03.01 – Canada, Kitchender Cancelled:03.02 – Canada, London Cancelled:03.03 – USA, Davenport 03.05 – USA, La Crosse, Mary E Sawyer Auditorium 03.06 – USA, Madison, Dane County Coliseum 03.07 – USA, Milwaukee, Uptown Theatre 03.08 – USA, Chicago, Aragon Ballroom 03.09 – USA, St Louis, Kiel Auditorium 03.10 – USA, Fort Wayne, Coliseum 03.12 – USA, Atlanta, Municipal Auditorium 03.13 – USA, Charlestown, Civic Auditorium 03.14 - USA, St. Petersburg, Sunshine Speedway 03.15 – USA, Miami, Marine Stadium 03.18 – USA, New Orleans, St Bernard Parish Civic Auditorium 03.20 – USA, San Antonio, Municipal Auditorium 03.22 – USA, Dallas, McFarlin Auditorium 03.25 – USA, Tulsa, Municipal Theatre Cancelled:03.26 – USA, Kuzon 03.29 – USA, Los Angeles, Santa Monica Civic Auditorium (afternoon show) 03.29 – USA, Los Angeles, Santa Monica Civic Auditorium (evening show) 03.30 – USA, San Francisco, Winterland 04.02 – Canada, Edmonton, Kinsmen Fieldhouse 04.03 – Canada, Calgary, Corral 04.06 – USA, Seattle, Paramount Northwest Theatre Cancelled:04.07 – USA, Portland Japan Tour 04.19 – 日本、東京、日本武道館 04.22 – 日本、名古屋、愛知県立体育館 04.23 – 日本、神戸、国際会館 04.25 – 日本、福岡、九電記念体育館 04.28 – 日本、岡山、県立体育館 04.29 – 日本、嬬恋、ヤマハつま恋エキジビジョン・ホール 04.30 – 日本、横浜、文化体育館 05.01 – 日本、東京、日本武道館
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管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 (アデライーデが、ヴァルトナーがやって来る音に耳を澄ましながら、舞台左手から出て来る。すると同時にヴァルトナーも現れる。彼は上品な身なりをしており、都会風のコートにシルクハットをかぶり、ステッキを持ち、手袋をはめている。 彼は見たところエレガントだが、疲れきって、徹夜明けのように見え、誰も目にとまらないかのように部屋を横切ると、舞台右手前方の肘掛椅子に身を沈める) ADELAIDE 二人とも。私達だけにしてくれない。 お父さんは、ずいぶんご心労のようだわ。 (アラベラは左手後方へ、ズデンカは右手後方へと退場) WALDNER (立ち上がり、屏風の陰で上着を脱ぐと、シルクハットをテーブルの上に置く。請求書入りの封筒の束を目にすると、機械的にそれを見つめた後、次々と封筒を引っ張り出す) こんなのしかないのか? これ以外、誰からも手紙は来なかったのか? ADELAIDE またギャンブルね?負けたんでしょ、テオドール? (ヴァルトナーは黙り込む) 連隊の戦友に手紙を出されたんでしたね? WALDNER 誰からも返事が来ない!冷たいものだ。 (肘掛椅子に身を投げる。独り言だが、半ばはアデライーデに向けて) マンドリカという男がいた。 大金持ちで、そのうえ夢想癖のある男だった。 一度あの男は、ある女のために、ヴェローナの通りに3千もの桶に入った塩を撒き散らしたことがある。その女が、夏の盛りの8月なのに、橇遊びをしたいと言ったからだよ! だから、わしは、あの男の豪儀さを当てに、 アラベラの写真を中に入れておいたんだ・・・ 白鳥の縁どり付きの青い舞踏会用ドレスの写真を。 わしはこう思ったのだ・・・あの、いかれた男なら、ここに来て、あの子を嫁にしてくれないとも限らんとな! ADELAIDE ああ、美しいあの子が、そんなお爺さんと一緒になるなんて! WALDNER (激しい口調で) 誰か確実な求婚者が来なければいかんのだ! 終わりのない無益なご機嫌取りなどもう沢山だ! 我々が救われる道はそれしかないんだ! (立ち上がって、部屋を行ったり来たりする) ADELAIDE (突然、霊感に打たれたように) 逃げましょう!ヤドヴィーガ叔母さんの所へ! きっと城館に迎えてくれるわよ! あなたは管理人になり、 私は、叔母さんの家を取り仕切ればいいんだわ。 WALDNER そうしたら、娘たちは? ADELAIDE ズデンカは、ずっと給仕のままよ・・・ 二人もの娘を 養えるはずがないわ! でも、アラベラ・・・あの子には予言がある。 素晴らしい結婚で幸せをつかむはずよ! WALDNER (激怒しながら) そんなことしていたら、 最後の頼みの五十男は死んでしまうぞ! ADELAIDE 落ち着いて。テオドール。 夢の中に3つの数字が現れたの! 間違いのない、素晴らしい数字よ! WALDNER おお、もうたわごとはよすんだ! エメラルド・ブローチを質に入れて、わしに金をよこせ! 何っ?もう持ってない?質に入れたのか? ADELAIDE もう先週にね。あれが最後の品だったわ。 ああ、このウィーンってところは! WALDNER 今日こそツキがめぐってくるはず! 指が、その気配を感じているというのに! なんと不運なわしだ! ADELAIDE でも、この深い恥辱の中から、美の力によって、 最高に高い所にまで 引き上げられるかもわからないわ! WALDNER もう財布には1グルデンも残ってないぞ! (激しい身振りで妻に出て行くよう合図する) ADELAIDE (後ろに下がって行き、舞台前方左手のドアと蝶番の間で、恍惚として) ひょっとして、いとも高貴な身分の方の家で 愛に満ちた結婚式が行われないこともないわ。 (退場する) WALDNER (再び請求書に目を通し、最初の文面を読み上げる) 「これ以上お待ちできる状況にはありません!」 (2つ目の請求書を手に取り) 「あるいは司法の手をわずらわせる事態にも・・・」 かわいそうな妻!娘たち! (背後に手を伸ばし、呼び鈴の綱を引っ張って鳴らすと、ホテルの部屋係が入って来る) WALDNER コニャックを! ZIMMERKELLNER<部屋係 8番様にはサービスできかねます! すぐに、お支払いをいただかない限り! WALDNER 出て行ってくれ。いらないから。 (部屋を行ったり来たりして) 今頃みんな集まって、また一勝負始めているだろうに。 それ以外のことは、時間の無駄だ! ZIMMERKELLNER (トレーを持って入って来る) ご来客が! WALDNER 出かけたと言ってくれ。 そいつは、そこに置け! (部屋係は、ヴァルトナーに言われた場所に名刺を置いて退場) WALDNER (眺めながら) でも、あれは請求書じゃないな。 業者が名刺を使って挨拶回りしているのか? (そのほうに行き、名刺を手に取ると、嬉しさのあまり飛び上がる) マンドリカ! (目を疑いながら) 大金持ち!連隊の大親友! ZIMMERKELLNER (扉の所に立って) どうしてもお会いしたいとおっしゃるのですが。 WALDNER お通しするように! (入って来た男を、手を広げて出迎える) ようこそ、戦友! (大柄で、とても力が強そうだが、エレガントな姿をしたマンドリカが現れる。歳は、せいぜい35歳という所で、どことなく地方的な感じに見える。しかし、服装はとても立派で、かけらほどの田舎っぽさも無い。ヴェルコは、マンドリカの後ろから入場し、扉のところで立ち止まっている) WALDNER (当惑して、後じさりする) MANDRYKA 騎兵隊長ヴァルトナー伯爵さまではありませんか? WALDNER いかにもヴァルトナーです。 もう騎兵隊長ではありませんがな。 (マンドリカは右手を後ろに突き出す。 ヴェルコは、頭を下げたまま、マンドリカの手に手紙を渡す) MANDRYKA (手紙を手に、ヴァルトナーに近寄って行く) 伯爵、この手紙の主はあなた様ですか? (ヴァルトナーは、しわくちゃで血まみれになった手紙を受け取る) MANDRYKA (とても軽やかに、元気良く、きわめて丁重に) 少し血が付いていますが、読めないほどではありません。 この手紙が私に届いた時、私は、年寄りの熊をしとめようとしていたので、その熊に襲われて少し引っかかれたのです。 もう過ぎたことです。 WALDNER (一瞥した後で、手紙を返しながら) 確かに、あなたと同名の男に手紙を書きました・・・ 私の友人で、連隊の戦友であるその男に。 MANDRYKA それは私の伯父です。伯父は死にました。 今、マンドリカといえば私だけです。 ですからお許しください。この手紙を、私が開封してしまったことを。ところで、お聞きしたいことが一つだけ・・・ ヴェルコ!あの写真を! WELKO (写真を手渡しながら) 万事順調ですぞ・・・大侯様。 このお顔をした美女は、確かにこの家に。 MANDRYKA (写真を手にして) 伯爵さま・・・古い戦友として 私の伯父宛てに出されたこの手紙に、 あなた様は、このご婦人の写真を同封されましたな。 WALDNER (ちらっと写真を見て、どうでもいいことのような口調で) いかにも!私の娘である アラベラの写真ですよ! MANDRYKA (目立って興奮するが、姿勢は崩さずに) ご令嬢は結婚しておられないのですか・・・? WALDNER (うなずく) まだです。 MANDRYKA 今のところ婚約もなされてないと? WALDNER 今のところはまだです。 MANDRYKA (きわめて真剣に、厳粛と言ってもいい態度で) 5分ほど、お話しさせていただきたいのです。 (ヴェルコは、2つの肘掛椅子を向い合せになるよう素早く動かし、後ろにずらす。ヴァルトナーとマンドリカは腰掛ける。マンドリカは当惑して、やや間を置き、ヴァルトナーは緊張している) MANDRYKA 率直に質問させていただいて、よろしいでしょうか? WALDNER あなたは、あの大切な戦友の甥であり、相続人です。 なんなりと、どうぞ! MANDRYKA 感謝いたします・・・ (にわかに考えをめぐらしながら) 死んだ伯父あての手紙に、 ご令嬢の魅力的な写真を 同封されたとき、 あるいは、そこに何か目的のようなものが ありませんでしたか?・・・失礼ならばお許しを。 WALDNER (慎重に) これはしたり!あのご老人を 少しからかいたいと思っただけなのです! MANDRYKA (きわめて注意深く、ヴァルトナーの言う全ての言葉の意味を十分に受け止めようとしながら) 伯父をからかうですって? ですが、こうなっていたかも知れませんよ・・・ 伯父の体がまだ丈夫で、 男盛りの状態だったとしたら、 この肖像写真の美しさに参ってしまい、 あなたの前に現れて、 誰が見ても申し分のない貴族として、 こう宣言していたかも知れません・・・。 「あの顔を一目見て、求婚の名乗りを上げぬ男など、神のお計らいで、この地上に生まれた意味など無い! 私の妻として、妃として、この女性をいただきたい!」と。 どうでしょう?もしかしたら、 こう言ったかも知れないのですよ! WALDNER だとすれば、私どもも 不意を突かれたかも知れませんなあ。 MANDRYKA (とても興奮しつつも、気持ちを抑えながら立ち上がる) 伯父はあの世に行きました。 今は私が唯一のマンドリカです。 いくつもの森や村を、私は治めています。 4千人の領民が、私の幸せを念じています・・・。 そんな私が・・・もろ手をあげてお願いするのです・・・ お父君。この私に、 ご令嬢をいただけないでしょうか。 この14週もの間、胸の中で、 ひと時たりと想いが消えぬあの方を、 私の妻としていただきたいのです。 (ヴァルトナーは驚きのあまり絶句する) ためらっておられますが、これは死の宣告ですか? だめなのですか? (ヴァルトナーは首を横に振る) 会えるのですね? (ヴァルトナーはうなずく) お許しを・・・ この手紙が届いたちょうどその時、 私は、年寄り熊の手につかまれ、 あばら骨が4本つぶれてしまったのです。 そのため、12週間、 ベッドで横になっていたのですが・・・ 目の前には、この写真のお姿が・・・ この思いはますます強くなり、 ついには魂がかっさらわれてしまったのです! (誇張するわけでもなく、とても素朴に) 資産の管理人達が見舞いに参りました。 「我らの殿様に何が?」 荘園の小作人達が参りました。 「我らの殿様に何が?」 牧場で働く者達が参りました。 「殿は、もう馬遊びができないのでは?」 森の番人達が参りました。 「殿は、もう狩りを楽しまれないのでは?」 私はそれには何も答えずに「ヴェルコ!」と叫び、 「あのユダヤ人を連れて来い!何と言う名だったかな?あのジシェクのユダヤ人は?あの男は、私の森を買うつもりだったな?あの樫の木の森を! 早く、あの男を連れて来て、 現金を持ってくるよう伝えろ。 なぜなら明朝、私は旅立ち、 首都ウィーンで皇帝に謁見するのだ。 1秒1秒、金が必要だ。 求婚の旅に障害があってはならんぞ!」 (マンドリカは、大きいがエレガントな札入れを取り出す。そこには無造作に投げ込まれた千グルデン紙幣の分厚い束が入っている) 森がこんなのになりました・・・ 美しい森でした・・・ そこには隠者達が住んでいました。 ジプシーもいました。老いた鹿もいましたし、 いくつもの炭焼き窯が煙を上げていました。 みんな、こんな紙切れごときに変わってしまったのです! ですが、樫の森など、 領地には、まだうなるほどあります。 子々孫々にいたるまで・・・神の御加護を!・・・ お願いですから、こんなことを話すのを お許しください! 自分でもなぜかわからないのですが、 もう口にしてしまったことです! (札入れをしまおうとする) WALDNER (思わず体が反応して、マンドリカが札入れをしまうのを止める)ああ!非常に興味深いお話です! 考えてみれば・・・一つの森が・・・隠者達と、 ジプシーと、老いた鹿の住まっていた森が、 一二の三で・・・こんな札入れに化けたのですな! 長い間、このようなものを見たことはありませんでした。 (札入れに心を奪われ、じっと見つめている) MANDRYKA (きわめて軽快に愛想良く、札入れを差し出す) もしかしますと?あるいはご入り用ですか? 今すぐに?いいえ、 私のほうこそ、お情けにすがっているのです! どうぞ、ご自由に! WALDNER (ややためらった後で、千グルデン紙幣を1枚つかむ) 実は、銀行の担当者が旅行で不在なのです! 遅くとも、今晩にはお返しいたします! MANDRYKA (あらためて札入れを差し出し、あたたかく) もういいのですか? 何とぞお願いします!何としても! ですから、どうぞ、ご自由に! (ヴァルトナーは2枚目の紙幣をつかむと、1枚目の紙幣ともども無造作にチョッキのポケットにつっこむ) (マンドリカは胸のポケットに札入れをしまう。困惑したような間を少し置いてから) MANDRYKA それでは、伯爵夫人どのを いつご紹介いただけるのでしょうか・・・ そして、御令嬢は? WALDNER 二人とも、隣の部屋にいますぞ。 (マンドリカは、驚きあわてて立ち上がる) WALDNER (同時に立ち上がる) お会いになりたいんでしょう?今呼びます・・・ ご紹介いたします。 MANDRYKA 今ですって?そんな? いや、まだです!今は決して! WALDNER 伯父さまは、こんな内気な方でしたっけかねえ! MANDRYKA (きわめて真剣に) それは別の話でしょう。 これは神聖な事柄なのですから。 WALDNER ではお望みのままに。 MANDRYKA (口調を変えて) 私はこのホテルに泊めていただき、 ご夫人がお命じになるまで待つつもりです。 私の自己紹介にふさわしい時間をご指定下さい。 午後でも、晩でも・・・いつでもかまいません。 (マンドリカは一礼して辞去する。ヴァルトナーは握手の手を差し出し、彼を扉まで送って行く) WALDNER (一人で) これは夢か?いや、たしかにここにいたぞ。 マンドリカの甥が。 こんなことが起こった試しがあるだろうか! (ヴァルトナーは、くしゃくしゃになった紙幣を1枚2枚と引き出し、しわをたたんでから、すっからかんの財布につっこむ) 夢か?いや、違う!夢じゃない! (もう一度紙幣を1枚取り出し、何も考えずに、紙幣をひねって小さなじょうごのようにして手に持つ。軽やかなアクセントでマンドリカの口調をまねながら、かなり大声を出す) でしたらどうぞ、ご自由に! ZIMMERKELLNER (部屋に入って来て) お呼びで? (ヴァルトナーの手にある千グルデン紙幣に気付くと、ころっと口調を変えて) ご下命ですか? WALDNER (静かに、やさしく、独り言で) どうぞ、ご自由に! ZIMMERKELLNER 両替をお命じですか? WALDNER ひょっとしたら後で頼むかもな。まだいいよ。 (部屋係は退場) WALDNER (独り言。優美に) どうぞ、ご自由に! (とろけんばかりの猫なで声で) どうぞ、ご自由に! (威厳をこめて) どうぞ、ご自由に! (コート、帽子、ステッキを手に取って) ZDENKA (右側のドアから出て来る) お呼びですか?パパ? WALDNER (喜びのあまり大はしゃぎで) どうぞ、ご自由に! ZDENKA 誰と話してるの?何が起こったの?パパ? WALDNER (初めて、自分一人じゃないことに気付く) 何でもない。ちょっと出かけてくる。 人を待たせておるんでな。 何か欲しいものはあるかい? (手に持った千グルデン紙幣を振って、ズデンカに合図する) こいつを両替してくるのさ。 じゃあな。 (中央の扉から出て行く) ZDENKA (一人残されて) パパ!行っちゃった。 あんなお父さん、初めて見た。 心配のあまり、おかしくなったのかも! この街を出なけりゃいけない・・・明日にもすぐ・・・ マッテオに会えるのも今日が最後なのかも・・・ ああ、神様、弱いあたしに力をください! (マッテオが素早く、人目につかないように中央扉から入って来るので、ズデンカはびっくりする) MATTEO 父上には気付かれなかったよ。扉の横にぴったりくっついていたからね。 ZDENKA (左後方のドアを指差して) しいっ!中にお姉さんがいるよ! (耳を澄ます) ぼくを呼んでいる! MATTEO お会いすることはできないのかい? ZDENKA 今はだめだ!お願いだ!今は! MATTEO じゃあ、手紙があるんだね? ZDENKA 手紙?ああ!いや!今はだめだ。 お姉さんは言ってた。あなたへの手紙は・・・ 今晩の・・・御者舞踏会で・・・ それまでは家にいて・・・ このホテルで・・・ もしかしたら、ぼくが君の部屋に手紙を・・・ そうでなければ、舞踏会の場で渡すよ! MATTEO 見捨てる気じゃないだろうね?信じているよ! (ズデンカは不安げに、アラべラのいる左手のドアを指差す。マッテオは急いで退場。すると、アラベラが新しいドレス、コート、帽子に着替えて、そこから現れる。ズデンカは、混乱と戸惑いを隠しきれずに立ち尽くしている。外からは橇の鈴の音が聞こえて来る) ARABELLA まだ準備してないなんて! 今まで何をしていたの? 早く着替えなさいよ!そりを曳く馬だって、 我慢できずに、いきり立っているわよ。 ZDENKA 馬だって?・・・もっと我慢できないでいるのは、 たぶん、あなたのエレメルだよ! (舞台右手の隣室に駆け込む) ARABELLA あたしのエレメル!とてもおかしな響きね・・・ (腰を下ろす) あたしのもの?あの人のもの?それって何なの。 不安な気持ちに襲われる・・・ そうじゃない・・・何かを想いこがれている。 でもいったい何を?マッテオを? (立ち上がって) 私なしじゃ生きられないと繰り返し言いながら、 子供みたいな目をして、 あたしを見つめるマッテオを? (心の声に耳を澄まして) いいえ!マッテオへの想いなんか全くないわ! (ややためらった後、急に想いを溢れさせて) きっと私がもう一度会いたいのは、あの見知らぬ人! 一度でいいから、あの人の声を聴いてみたい! でも、そうしたら、他の男の人と同じような存在にすぎなくなるかも知れないけれど・・・ ズデンカが言ってたわね・・・女は誰かに選ばれるまで待ち続けなきゃならないって。 そして、誰にも選ばれなけりゃ、 もうおしまいだって。 エレメルと結婚する? (無意識のうちに、ぶるっと震える) なぜか胸騒ぎがするの。まるで誰かのお墓の上をまたいでるみたい。 闇の中を私のほうへと向かって来るのは・・・口をきいたこともない、あの見知らぬ人? ああ・・・きっと奥さんのいる人なんでしょうね。 会ってはならないし、もう二度と会うこともないわ! 今日は謝肉祭の火曜日。今夜の舞踏会は私が主役。 女王さまになるんだわ・・・そして・・・ ZDENKA (丈の短いコートを着て、シルクハットを手にして部屋に入って来る) さあ、支度ができたよ。 ARABELLA 一緒に行くのよ! (ズデンカが扉を開けると、アラベラは外に出る。 ズデンカはシルクハットをかぶり、アラベラの後を追う。橇の鈴の音が響いてくる) (幕が降りる) Adelaide ist links herausgetreten, horchend sie hat Waldner kommen gehört. Waldner kommt im gleichen Augenblick durch die Mitteltür, gut angezogen, Stadtpelz und Cylinder, Stock, Handschuhe. Er sieht elegant, aber ermüdet und übernächtig aus, geht durchs Zimmer, als sehe er die andern nicht und lässt sich in einem Fauteuil vorne rechts nieder. ADELAIDE Lasst uns allein, meine Kinder. Euer Vater hat Sorgen. Arabella geht links rückwärts ab. Zdenka rechts rückwärts WALDNER steht auf, legt ab - hinter einem Paravent - legt den Cylinder auf den Tisch. Er sieht die Couverts mit den Rechnungen, betrachtet sie mechanisch, reisst ein Couvert auf, dann das nächste Nichts als das Zeug da? und von niemand sonst ein Brief? ADELAIDE Du hast gespielt? Du hast verloren, Theodor? Waldner schweigt Du hast an dein Regimentscameraden geschrieben? WALDNER Von keinem eine Antwort! das ist hart. Wirft sich auf den Fauteuil; vor sich hin, halb zu Adelaide Da war ein gewisser Mandryka der war steinreich und ein Phantast dazu. Für ein Mädel hat der einmal die Strassen von Verona bestreuen lassen mit dreitausend Scheffeln Salz weil sie hat Schlitten fahren wollen mitten im August! Ich hab an seine Grossmut appelliert - und hab von der Bella ein Bild hineingelegt - in dem stahlblauen Ballkleid mit Schwanenbesatz Ich hab mir gedacht vielleicht kommt er daher, ein Narr wie er ist, und heirath das Mädel! ADELAIDE O Gott mein schönes Kind mit einem alten Mann! WALDNER heftig Es muss ein solider Bewerber daher und ein End mit der ewigen Hofmacherei die zu nichts führt! Ich weiss sonst keinen Ausweg! Er ist aufgestanden - geht im Zimmer umher ADELAIDE mit plötzlicher Ekstase Fort mit uns! Zur Tante Jadwiga! Sie nimmt uns auf auf ihre Schlösser! Du wirst Verwalter ich führe der Tante das Haus. WALDNER Und die Mädeln? ADELAIDE Zdenka wird groom für ewige Zeiten - wir sind nicht in der Lage zwei Töchter zu erhalten! Und Arabella - ihr ist prophezeit sie macht ihr Glück durch eine grosse Heirath! WALDNER grimmig Inzwischen ist der letzte Fünfziger dahin! ADELAIDE Sei ruhig, Theodor, mir sind im Traum drei Nummern erschienen! Unfehlbare herrliche Zahlen! WALDNER Ah, Geschwätz! Versetz die Smaragdbrosch und gib mir das Geld! Was? du hast sie nicht mehr? versetzt? verpfändet? ADELAIDE Schon vorige Woche. Sie war das Letzte. O dieses Wien! WALDNER Und heut hätt ich Glück! Ich spürs in jedem Finger! Du unglückselige Person! ADELAIDE Aus tiefster Schmach hebt's uns einmal empor zu höchster Höhe durch die Hand der Schönheit! WALDNER Ich hab nicht einen Gulden mehr im Sack! winkt ihr heftig ab ADELAIDE sich zurückziehend, links vorne, zwischen Tür und Angel in Ekstase Hat's denn vielleicht im Allerhöchsten Erzhaus noch keine Liebesheirathen gegeben? Sie geht ab WALDNER wieder zu den Rechnungen zurück, liest die erste »Bin ich nicht in der Lage, länger zu warten!« Nimmt die zweite »Müsste ich die Gerichte in Anspruch nehmen ... « Arme Frau! arme Mädeln! Er läutet am Glockenzug indem er hinter sich greift. Zimmerkellner tritt ein WALDNER Cognac! ZIMMERKELLNER Auf Nummer 8 darf ich nichts mehr servieren! Ausser wünschen sofort zu bezahlen! WALDNER Verschwinden Sie. Ich brauche nichts. Auf und nieder Jetzt setzen sie sich hin und fangen wieder an zu spielen, und alles Andre ist verlorene Zeit! ZIMMERKELLNER eintretend mit einem Tablett Ein Herr! WALDNER Sie sagen ich bin ausgegangen. Das Zeug dorthin! Zimmerkellner legt an die von Waldner angegebene Stelle eine Karte und geht ab WALDNER sieht hin Das ist ja keine Rechnung. Melden sich die Lieferanten jetzt schon mit Visitenkarten an? Er geht hin, nimmt die Karte in die Hand, freudig überrascht Mandryka! Traut seinen Augen nicht Der reiche Kerl! mein bester Freund im Regiment! ZIMMERKELLNER an der Tür Der Herr fragt dringend an. WALDNER Ich lasse bitten! Dem Eintretenden mit offenen Armen entgegen Tschau, Camerad! Mandryka, grosser, sehr kräftiger, eleganter Mann von höchstens fünfunddreissig Jahren, etwas undefinierbar Ländliches in der Erscheinung sehr gut angezogen, ohne jede provinzielle Eleganz. Welko, hinter Mandryka eintretend, bleibt in der Tür stehen WALDNER perplex, tritt zurück MANDRYKA Hab ich die Ehre mit dem Rittmeister Graf Waldner? WALDNER Waldner, so heiss ich. Rittmeister nicht mehr. Mandryka streckt seine rechte Hand nach hinten. Welko, unter Verneigung, gibt ihm einen Brief in die Hand MANDRYKA mit dem Brief auf Waldner zutretend Sind Sie, Herr Graf, der Schreiber dieses Briefes? Waldner nimmt den Brief, der zerknittert ist und voll Blutflecken MANDRYKA sehr leicht und munter und sehr artig Er ist ein bissl blutig worden, und nicht mehr leserlich. Ich bin den Tag, wo er mir zugekommen ist, auf eine alte Bärin gegangen, sie hat mich angenommen und ein bissl gekratzt - dabei ist das passiert. WALDNER indem er ihm den Brief zurückgibt, nachdem er einen Blick darauf geworfen hat Geschrieben hab ich allerdings an einen Herren Ihres Namens - er war mein Freund und Regimentskamerad. MANDRYKA Das war mein Onkel. Er ist todt. Ich bin der einzige Mandryka. Somit verzeihen Sie, dass ich den Brief zu öffnen mir gestattete. - jetzt kommt's auf eines an Welko, das Bild! WELKO indem er eine Photographie überreicht Es ist in Ordnung, Gospodar. Die schöne Fräulein mit dem Gesicht wohnt hier. MANDRYKA die Photographie in der Hand Herr Graf, Sie haben Ihrem werten Brief, der kameradschaftlich an meinen Onkel gerichtet war, Sie haben dieses Damenbildnis beigelegt. WALDNER leicht hinsehend, ganz ohne Wichtigkeit Ah ja! die Photographie meiner Tochter Arabella! MANDRYKA mit merklicher Aufregung, aber ohne die Haltung zu verlieren Die gnädige Tochter ist unvermählt - ? WALDNER nickt Noch unvermählt. MANDRYKA - und derzeit nicht verlobt? WALDNER Derzeit noch nicht. MANDRYKA sehr ernst, beinahe feierlich Dann bitte ich um ein Gespräch von fünf Minuten. Welko rückt schnell zwei Fauteuils einander gegenüber, zieht sich dann zurück. Waldner und Mandryka setzen sich. Eine kleine Pause der Verlegenheit bei Mandryka, der Spannung bei Waldner MANDRYKA Darf ich so unbescheiden sein und eine Frage stellen? WALDNER Du bist der Neffe - und Erbe meines teuren Cameraden. Verfüge über mich! MANDRYKA Ich danke sehr. - Er überlegt einen Moment Als in dem Brief an meinen seligen Onkel das reizende Porträt des Fräulein Tochter hineingeschlossen wurde, darf ich annehmen, dass da eine Absicht im Spiele war? - Ich bitte um Vergebung. WALDNER vorsichtig Mein Gott, ich hab mir halt gedacht ich mach dem Alten damit einen Spass! MANDRYKA sehr aufmerksam, bestrebt, jedes Wort Waldners nach seinem vollen Gewicht zu erfassen Dem Onkel einen Spass? - Wenn aber das die Folge wär gewesen dass mein Herr Onkel, der ein ganzer Mann war und in den besten Jahren, sich hätte in die Schönheit des Porträts verliebt und wär getreten hier vor Ihnen, hochgeborner Herr, so als ein offenherziger Edelmann vor einen andern, und hätt gesagt »Wer das Gesicht gesehen hat und tritt nicht als Bewerber auf verdient nicht, dass ihn Gott auf dieser schönen Erden leben lasst So gib das Mädel mir zur Frau und Herrin! « Was wäre dann gewesen? Gesetzt den Fall, er hätte so gesagt! WALDNER Dann hätten wir uns in einer unerwarteten Situation befunden. MANDRYKA steht auf, sehr aufgeregt, aber beherrscht Der Onkel ist dahin. Heut bin ich der Mandryka, niemand sonst. Mein sind die Wälder, meine sind die Dörfer. Viertausend Untertanen beten dass ich glücklich sei - und ich, mit aufgehobenen Händen bitte ich Herr Vater, geben mir die gnädige Tochter, geben mir sie zur Frau, die jetzt seit vierzehn Wochen jeden Gedanken hier in dieser Brust regiert. Waldner schweigt vor Staunen Ihr Zögern ist kein Todesurteil? Nein? Waldner schüttelt den Kopf Ich darf sie sehn? Waldner nickt Bedenken dieser Brief kommt an, und in der gleichen Stunde nimmt mich die alte Bärin in die Arme und drückt mir vier von meinen Rippen ein. Zwölf Wochen bin ich so im Bett gelegen - vor meinen Augen dieses Bild - und ein Gedanken immer stärker bis er die Seele mir herausgezogen hat! Ganz naiv, ohne alle Prahlerei Kommen meine Verwalter Was ists mit unserm Herrn? Kommen die von den Meierhöfen Was ists mit unserm Herrn? Kommen die von den Fohlenhöfen Freut unsern Herrn kein Pferd mehr? Kommen meine Förster Freut unsern Herrn kein jagen? Ich geb ihnen keine Antwort. Welko! ruf ich, hol mir den Juden, na! wie heisst der Jud in Sissek, der meinen Wald will kaufen? dort den Eichwald! Schnell her mit ihm, und er soll Geld mitbringen denn morgen fahr ich in dem Kaiser seine Hauptstadt da kostet Geld ein jeder Atemzug und Hindernisse darfs nicht geben auf der Brautfahrt! Er zieht ein grosses, aber elegantes Portefeuille hervor; es enthält, lose hineingelegt, einen dicken Pack Tausendguldennoten Das ist der Wald. - Es war ein schöner Wald Einsiedler waren drin, Zigeuner waren drin und alte Hirschen und Kohlenmeiler haben viele drin geraucht - Hat sich alles in die paar Fetzen Papier verwandelt! Aber es stehen Eichenwälder genug noch auf meinem Boden für Kinder und für Enkel - Gott erhalte! - Verzeih'n um Gotteswillen dass ich da von solchen Sachen rede! Ist ganz, ich weiss nicht wie, gescheh'n! Er will das Portefeuille einstecken WALDNER hindert ihn daran durch eine unwillkürliche Bewegung Oho! ich find es ungeheuer interessant! Wenn man bedenkt ein Wald - Einsiedler waren drin Zigeuner waren drin und alte Hirschen und auf eins zwei - ein solches Portefeuille! Ich hab seit vielen Jahren so was nicht gesehn! Er starrt fasziniert auf das Portefeuille MANDRYKA hält ihm's hin, sehr leicht und liebenswürdig Darf ich vielleicht? brauchst du vielleicht? So für den Augenblick? Du tust mir eine Gnad! Teschek, bedien dich! WALDNER nach kurzem Zögern nimmt eine Tausendguldennote Mein Bankier ist nur verreist! Ich geb es dir heut abend spätestens zurück! MANDRYKA hält das Portefeuille nochmals hin, sehr herzlich Nicht mehr? Ich bitte vielmals! Aber doch! Teschek, bedien dich! Waldner nimmt eine zweite Note und steckt sie mit nonchalance zu der ersten in die Westentasche. Mandryka lässt das Portefeuille in seine Brusttasche gleiten. Eine leichte Pause der Verlegenheit MANDRYKA Und wann wird's dir genehm sein mich deiner Gräfin vorzustellen - und dann der gnäd'gen Tochter? WALDNER Sie sind gleich da im Nebenzimmer. Mandryka steht auf, wirklich erschrocken WALDNER steht gleichfalls auf Willst du sie sehn? Ich ruf' - ich stell dich vor. MANDRYKA Jetzt? so? Ich bitte nein! auf keinen Fall! WALDNER So schüchtern war der Onkel, nicht! MANDRYKA sehr ernst Das ist ein Fall von anderer Art. Es handelt sich für mich um etwas Heiliges. WALDNER Ganz wie du willst. MANDRYKA in verändertem Ton Ich werd mich hier im Hause einlogieren und den Befehl abwarten deiner Gräfin wann ich mich präsentieren darf am Nachmittag oder am Abend - oder wann es wird belieben. Verneigt sich, Waldner reicht ihm die Hand und begleitet ihn dann zur Tür WALDNER allein Hab ich geträumt? Dahier ist er gesessen der Neffe vom Mandryka. So was passiert einem doch nicht! Er zieht den einen zerknitterten Tausender hervor, dann den zweiten, glättet beide, steckt sie in seine völlig leere Brieftasche Hab ich geträumt? Nein! ich hab nicht geträumt! Er nimmt den einen Tausender wieder heraus, dreht daraus, ganz gedankenlos, eine kleine Papiertüte und behält sie in der Hand. Mit leichtem Ausdruck, Mandrykas Ton copierend, ziemlich laut Teschek, bedien dich! ZIMMERKELLNER eintretend Ist hier gerufen? Er gewahrt den Tausender in Waldners Hand und verändert sofort den Ton Haben mich befohlen? WALDNER vor sich, leise, zart Teschek, bedien dich! ZIMMERKELLNER Befehlen diesen Tausender zu wechseln? WALDNER Später vielleicht. jetzt nicht. Zimmerkellner geht ab WALDNER vor sich hin, mit Grazie Teschek, bedien dich! Fast schmelzend zärtlich Teschek, bedien dich! Majestätisch Teschek, bedien dich! Er nimmt Mantel, Hut und Stock ZDENKA aus der Tür rechts heraus Hast du gerufen, Papa? WALDNER mit turbulentem Jubel Teschek, bedien dich! ZDENKA Mit wem spricht er? Ist dir etwas geschehn, Papa? WALDNER jetzt erst bemerkend, dass er nicht allein ist Gar nichts. Ich geh jetzt aus. Ich werd erwartet. Brauchst du vielleicht? Er winkt ihr mit dem Tausender, den er in der Hand behalten hat Ich werd mir wechseln lassen. Adieu. Ab durch die Mitteltür ZDENKA allein Papa! Er ist schon fort. So hab ich ihn noch nie gesehn. Die Sorgen haben ihn um den Verstand gebracht! Wir müssen fort aus dieser Stadt - schon morgen und den Matteo seh ich heut vielleicht zum letzten Mal - O Gott im Himmel steh mir armem Mädel bei! Matteo schnell und verstohlen zur Mitteltür herein. Zdenka erschrickt MATTEO Er hat mich nicht gesehn. Ich hab mich seitwärts in die Tür gedrückt. ZDENKA deutet auf die Tür links rückwärts Pst! sie ist da! Horcht Sie ruft mich! MATTEO Kann ich sie nicht sehn? ZDENKA Jetzt nicht! Ich bitte dich! jetzt nicht! MATTEO Hast du den Brief? ZDENKA Den Brief? Ja! Nein! Sie will jetzt nicht. Sie sagt, sie will ihn dir - heut abend - komm auf den Fiakerball - und vorher sei zuhaus - hier im Hotel - vielleicht bring ich ihn dir ins Zimmer - oder du bekommst ihn dort! MATTEO Du lasst mich nicht im Stich? Ich hab dein Wort! Zdenka, ängstlich, deutet auf die Tür links. Matteo schnell ab. Arabella tritt aus der Tür links, in einem andern Kleid, einem Mantel, einem andern Hut. Zdenka steht verwirrt und verlegen da. Man hört die Schlittenglocken ARABELLA Bist du nicht fertig! ja, was hast du denn gemacht die ganze Zeit? So zieh dich endlich an! Die Rappen sind schon voller Ungeduld. ZDENKA Die Rappen - und dein Elemer vielleicht noch mehr! Läuft ins Nebenzimmer rechts ARABELLA Mein Elemer! - Das hat so einen sonderbaren Klang. . Sie setzt sich Er mein - ich sein. Was ist denn das, mir ist ja, wie wenn eine Angst mich überfiele - und eine Sehnsucht ja, nach was denn auf der Welt? Nach dem Matteo? Sie steht auf Weil er immer sagt, er kann nicht leben ohne mich, und mich so anschaut mit Augen wie ein Kind? Sie horcht in sich hinein Nach dem Matteo sehnt sich nichts in mir! Ein Zögern, dann ausbrechend Ich möchte meinen fremden Mann noch einmal sehn! Ich möchte einmal seine Stimme hören! - Dann wäre er wie die Anderen für mich. - Wie sagt die Zdenka dass wir warten müssen bis uns einer wählt, und sonst sind wir verloren. Verheirat't mit dem Elemer? Sie schaudert unwillkürlich Was rührt mich denn so an, als trät ich einem übers Grab? Ist das der fremde Mann mit dem ich nie ein Wort geredet hab zieht der im Dunkel so an mir? Herr Gott, er ist ja sicher ein verheirateter Mann und ich soll und ich werd ihn nicht mehr wiedersehn! Und heut ist Faschingdienstag und am Abend ist mein Ball - Von dem bin ich die Königin - und dann… ZDENKA tritt heraus, in einem kurzen Pelz, einen Zylinder in der Hand So ich bin fertig. ARABELLA Komm! Zdenka öffnet ihr die Tür. Arabella geht hinaus. Zdenka setzt den Zylinder auf und folgt ihr. Die Schlittenglocken tönen herauf Vorhang この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/II-1
https://w.atwiki.jp/legendofnorrath/pages/400.html
Ethernautsのおはなし。 物語は、一部ロアストーリーとして日本語版が公開されています。 なお、LoN公式HPでは、イラスト数枚を絡めて読むことも出来ます。(英語のみ) くわしくはコチラをどうぞ ↓http //forums.station.sony.com/eq2/posts/list.m?topic_id=424011http //legendsofnorrath.station.sony.com/lore/登場人物[Avater]Bayle(Fighter Human) →Karana平原の剣士さん。Qeynos支配者であるBayle家との繋がりは不明。 持っているClaymoreは初めて敵を倒した時にゲットしたらしく、Qeynos Claymoreなのかは不明。 -Vallius Bayleが「光明の時代(Age of Enlightenment)」の頃にQeynos Claymoreを発見したらしく、 Valliusさんだったらイイナー。…というのは、私の妄想。 [Avater]Illisia Marsheart(Scout Barbarian) →ゼックの猟犬[Hound of Zek]の別名を持ち、昔はとっても怖い子だった。 元の名前は Illisia Iceheart だったがイロイロあって改名。 [Avater]Kaltuk Ironstein(Priest Dwarf) →元KaladimのStormGuard、エール大神殿の修道院長(Prior)。 あまりにも酒豪すぎて、称える歌が出来てしまう。 Avaterで唯一初期Rootカードに入ってない!(EQ2)・・・Dwarfだから?それともオッサンだから??ウワーン。 [Avater]Asharae(Mage DarkElf) →Neriakの貴族「V Nol家」の血を引きつつも、80年間奴隷としてこき使われてきたかわいそうな子。 イラストでは・・・ちょっと微笑んでない?・・・ホントは明るい子?!・・・ 「Scryona」という呪われた謎のアイテム(オーブ)を持っている。 ・Eylee Zephyrswell(Bard WoodElf) 未来が見えたりする神がかった子。戦闘では太鼓で敵をゴーン! ・Nurgg Rockchest(鍛冶屋さん?Monkさん? Orge) Kaltukのお友達。Trollの食事も美味しく頂けるナイスガイ。 ・Kruzz (コックさん? Troll) 元いじめられっこ。お守りを手放さない。キレるとスゴい・・・ ・Twiddy Bobick (Halfling) 謎の生物draflingに出会い、空飛ぶ船Cloudskipper号を開発してしまう。水恐怖症 ・A.M.Fiddlewiz (Gnome) 博士。空飛ぶ船Cloudskipper号の共同開発者。帽子の下は・・・ Roadyle Yerethe Tol (Mage HighElf) 魔法の知識が多いらしい。なぜか仲間に・・・。Asharaeと仲が悪い。Chapter 1 Exiles -Scenario 1 An Ogre s Revenge -Scenario 2 The Eternal Prism -Scenario 3 Faltering Faith -Scenario 4 Ruins of the Kedge -Scenario 5 The First Rift OpensChapter 2 Exodus-Scenario 6 Across the Plains -Scenario 7 A Bard in the Tavern -Scenario 8 Trees in the ForestChapter 3 Escape-Scenario 9 Finding a Friend -Scenario 10 A Momentous ChoiceScenario 1 An Ogre s Revenge Avatar Mooksa (Ogre,Priest) Attack 2 Defense 2 Damage Bonus +1 Health 11 AvaterをExartすると相手のユニットもExartできる。 Memo 自分の場にNurggさん登場♪ ワーイ、カタキ討ちに協力ですよー! 地味に (5C199) Ogre Thug (戦闘で負けると相手に1ダメージ)がイヤな相手です。 報酬 City of Ruin (Fighter or Scout) Book of Wizardry(Mage or Priest)オマケ報酬でLootがついてきます。 Pings Palliative Potion Pack(EQ) Draught of Vitality(EQ2)Scenario 2 The Eternal Prism Avatar Dark Visitor (Erudite,Mage) Attack 2 Defense 2 Damage Bonus +1 Health 17 AvaterをExartするとdiscard pileからユニットをコストなしで召喚♪ Memo 自分の場にUnna姫とErasmus王子がいます。愛の逃避行を助けてあげましょう♪ 報酬 Village Warfare(Fighter or Scout) Fighting the Troll(Mage or Priest)Scenario 3 Faltering Faith Avatar Basher Mumbla (Troll,Fighter) Attack 2 Defense 1 Damage Bonus +1 Health 13 対戦相手の数だけダメージボーナス! Memo ウルトラレア 5UR212 Polished Granite Tomahawkつかってきますよー! 報酬 Finding Treasure(Fighter or Scout) Grand Party(Mage or Priest)オマケ報酬でLootがついてきます。Discordian War Hammer Ornament(EQ) Wand of Forgiveness(EQ2)Scenario 4 Ruins of the Kedge Avatar Auraya (Scout) Attack 2 Defense 2 Damage Bonus +2 Health 14 防御時にabilityをExartするとAvaterとの戦闘を回避♪ Memo 美人揃いの人魚さんデッキっ! ウルトラレア 5UR218 Dagger of Slaying で直接攻撃してきまーす。 報酬 Sword-Crossed Lovers(Fighter or Scout) Ransomed Return(Mage or Priest)Scenario 5 The First Rift Opens Avatar Khiamak (Fighter) Attack 3 Defense 2 Damage Bonus +1 Health 15 攻撃時にAvaterをExartすると敵ユニット1体破壊! Memo 老ハンター Graycat (5P16) 登場です。 Graycatさんに寄り添っていれば Health+1 なので安心。 報酬 Staff of Theer(Fighter or Scout) Amulet of the Gnoll(Mage or Priest)オマケ報酬でLootがついてきます。 Discordian Great Blade Ornament(EQ) Legendary Display Case(EQ2)Scenario 6 Across the Plains Avatar Rocho Razorpaw (Gnoll,Priest) Attack 2 Defense 3 Damage Bonus +1 Health 16 Unit1体をExartすると・・・Avaterに直接攻撃! Memo 新キーワード Lookout ユニット2体が最初から敵側に・・・いるケド・・・自分で破壊しちゃう困ったちゃん。 Gnollたくさんですが、Health少なめなので安心。 報酬 Tracking them Down(Fighter or Scout) Blasphemy(Mage or Priest)Scenario 7 A Bard in the TavernAvatar Lefty Callahan (Human,Scout) Attack 2 Defense 2 Damage Bonus +1 Health 12 ItemをExartすると相手に1ダメージ Memo Eylee Zephyrswell(5R128)が登場~♪ 報酬 Share the Discovery(Fighter or Scout) Stealing the Prize(Mage or Priest)オマケ報酬でLootがついてきます。Familiar of Valik the Cruel(EQ) Painting The War Scout(EQ2)Scenario 8 Trees in the Forest Avatar WillowFist (Plant,Priest) Attack 2 Defense 2 Damage Bonus +2 Health 18 abilityの数だけ +2 Defense! Memo Plant Unitメインで攻めてきます♪ 報酬 Eternal Prism(Fighter or Scout) Tossed in the Dungeon(Mage or Priest)Scenario 9 Finding a Friend Avatar Boss Tuvanuga (Troll,Fighter) Attack 3 Defense 1 Damage Bonus +2 Health 19 敵Unitの数だけ +1 Damage Bonus! Memo Questじゃクリアできないシナリオになっております。 Fiery Avenger(1R34) Guard of Piety など新しいカードはあまり使ってこないで、堅実にせめてきます。 報酬 Beast Atack(Fighter or Scout) Escape the Guards(Mage or Priest)Scenario 10 A Momentous Choice Avatar Baron Baroness V Nol (Elf,Mage) Attack 4 Defense 4 Damage Bonus +2 Health 20 防御時にUnitをExartするとAvaterがRadyに♪ Memo Asharaeさんのご両親です。白い髪の毛が高貴です。 こちらもQuestじゃクリアできないシナリオになっておりますが、恨みはらしてあげましょう。 報酬 Lefty s Tankard(Fighter or Scout) Scryona(Mage or Priest)オマケ報酬でLootがついてきます。Hooded Scrykin(EQ) Personal Theme Music Cazic Thule(EQ2)2008/10/14のHot FixでGenericDeckでのシナリオクリアが記録されるように。 Avatar,Quest,Ability,Tac,Item,Unit全てGenericでないといけない。 このマゾ過ぎるDeck条件で勝ち進んでこそ真のシナリオヲタマスター。 なお、5アーキ全てシナリオをAll-Clearすると…[Fix カードがたくさんにっ!(特別報酬ありません)] 今回のシナリオからHardモードでクリアすると、報酬カード3枚いっきに貰えるようになりました。 (Oathbound~Oathbreakerのシナリオは、これまで通りHardをクリアしても、Easy,Normalは クリア扱いになりません。これは意図的なものであり修正対象ではないそうです……GM BobGhhhk談)
https://w.atwiki.jp/elvis/pages/1633.html
The Impact of Perestroika on Soviet Law (Law in Eastern Europe) Albert J. Schmidt? Proceedings of the Second European Conference on Computer-Supported Cooperative Work Ecscw '91 Liam Bannon?Mike Robinson?Kjeld Schmidt? Proceedings of the Third European Conference on Computer-Supported Cooperative Work, 13-17 September 1993, Milano, Italy Ecscw '93 Giorgio De Michelis?Carla Simone?Kjeld Schmidt? Progress in Temperate Fruit Breeding Proceedings of the Eucarpia Fruit Breeding Section Meeting Held at Wadenswil/Einsiedeln, Switzerland, August 3 (Developments in Plant Breeding) Hanna Schmidt?Markus Kellerhals? Reflections on Spacetime Foundations, Philosophy, History U. Majer?H. J. Schmidt? Characterizing Pedagogical Flow An Investigation of Mathematics and Science Teaching in Six Countries William H. Schmidt?Doris Jorde?Leland S. Cogan?Emilie Barrier?Ignacio Gonzalo?Urs Moser?Katsuhiko Shimizu?Toshio Sawada?Gilbert A. Valverde?Curtis McKnight? Characterizing Pedagogical Flow An Investigation of Mathematics and Science Teaching in Six Countries William H. Schmidt? The Cluster and Phoenix Missions C. P. Escoubet?C. T. Russell?R. Schmidt?Russell C. T.? Many Visions, Many Aims A Cross-National Investigation of Curricular Intentions in School Mathematics William H. Schmidt?Curtis C. McKnight?Gilbert A. Valverde?Richard T. Houang?David E. Wiley? Many Visions, Many Aims A Cross-National Investigation of Curricular Intentions in School Mathematics William H. Schmidt?Curtis C. McKnight?Gilbert A. Valverde?Richard T. Houang?David E. Wiley? Many Visions, Many Aims A Cross-National Investigation of Curricular Intentions in School Science William H. Schmidt?Senta A. Raizen?Edward D. Britton?Leonard J. Bianchi?Richard G. Wolfe? Many Visions, Many Aims A Cross-National Investigation of Curricular Intentions in School Science William H. Schmidt?Senta A. Raizen?Edward D. Britton?Leonard J. Bianchi? A Splintered Vision An Investigation of U.S. Science Mathematics Education William H. Schmidt?Curtis C. McKnight?Senta A. Raizen? Proceedings of the Fifth European Conference on Computer Supported Cooperative Work John A. Hughes?Wolfgang Prinz?Tom Rodden?Kjeld Schmidt? Facing the Consequences Using Timss for a Closer Look at U.S. Mathematics and Science Education Curtis C. McKnight?Leland S. Cogan?Pamela M. Jakwerth?Richard T. Houang?David E. Wiley?Richard G. Wolfe?Leonard J. Bianchi?Gilbert A. Valverde?Senta A. Raizen?Christine E. Demars? Facing the Consequences Using Timss for a Closer Look at U.S. Mathematics and Science Education William H. Schmidt? Ecscw '99 Proceedings of the Sixth European Conference on Computer Supported Cooperative Work, 12-16 September 1999, Copenhagen, Denmark Susanne Bodker?Morten Kyng?Kjeld Schmidt? Ecscw 2001 Proceedings of the Seventh European Conference on Computer Supported Cooperative Work 16-20 September 2001, Bonn, Germany Wolfgang Prinz?Matthias Jarke?Yvonne Rogers?Kjeld Schmidt?Volker Wulf? Ecscw 2001 Proceedings of the Seventh European Conference on Computer Supported Cooperative Work 16-20 September 2001, Bonn, Germany Wolfgang Prinz?Matthias Jarke?Yvonne Rogers?Kjeld Schmidt?Volker Wulf? Reasoning With Complex Cases (Kluwer International Series in Engineering and Computer Science) Friedrich Gebhardt?Angi Vob?Wolfgang Grather?Barbara Schmidt-Belz? The Songs of Jones Schmidt Hal Leonard Publishing Corporation? Macaws Getting Started (Save Our Planet) Horst Schmidt? Rabbits Today A Complete Authoritative Guide Horst Schmidt? Breeding and Keeping Snakes Dieter Schmidt? The Guide to Owning Chameleon Species (Chameleons) William K. Schmidt?K. Tamm?E. Wallikewitz? The Guide to Owning a Chameleon Biology, Behavior, Breeding, Care, Illnesses, African Chameleons (Chameleons) W. Schmidt?K. Tamm?E. Wallikewitz? Caribbean Anoles (Herpetology Series) Ralf Heselhaus?Matthias Schmidt? Christ in Sacred Speech The Meaning of Liturgical Language Gail Ramshaw-Schmidt? Graffiti Devotions for Guys David J. Schmidt? Graffiti Devotions for Girls David J. Schmidt? More Graffiti Devotions for Guys David J. Schmidt? More Graffiti Devotions for Girls David J. Schmidt? From Sea to Shining Sea Children's Activity Bookages 5-8 Peter Marshall?David Manuel?Joan M. Schmidt? Graffiti Devotions for Girls J. David Schmidt?Joey O Connor? Graffiti Devotions for Guys J. David Schmidt?Joey O Connor? Unexpected Wisdom Major Insight from the Minor Prophets Dan Schmidt? Taken by Communion How the Lord's Supper Nourishes the Soul Dan Schmidt? Textbook of Anatomy and Physiology K.Schmidt Prezbindowski?Catherine Parker Anthony? Labtronics L.M. Schmidt? Foundations of Parasitology Gerald D. Schmidt?Larry S. Roberts? Foundations of Parasitology Gerald D. Schmidt?Larry S. Roberts? Foundations of Parasitology Gerald D. Schmidt?Larry S. Roberts? Foundations of Parasitology Schmidt Ramesses II John D. Schmidt? Strangers at Home Amish and Mennonite Women in History (Center Books in Anabaptist Studies) Kimberly D. Schmidt?Diane Zimmerman Umble?Steven D. Reschly? Landfall Along the Chesapeake In the Wake of Captain John Smith Susan Schmidt? Practicing Protestants Histories of Christian Life in America, 1630-1965 (Lived Religions) Laurie F. Maffly-Kipp?Leigh Eric Schmidt?Mark R. Valeri? Practicing Protestants Histories of Christian Life in America, 1630-1965 (Lived Religions) Laurie F. Maffly-Kipp?Leigh Eric Schmidt?Mark R. Valeri? N-Gons (Mathematical Expositions) Friedrich Bachmann?Eckart Schmidt?C.W.L. Garner? Social Class and Treatment of Alcoholism (Brookside Monograph) Wolfgang Schmidt? In the Village of the Elephants Jeremy Schmidt?Ted Wood? In the Village of the Elephants Jeremy Schmidt?Ted Wood? Two Lands, One Heart An American Boy's Journey to His Mother's Vietnam Jeremy Schmidt?Ted Wood? Two Lands, One Heart An American Boy's Journey to His Mother's Vietnam Jeremy Schmidt?Ted Wood? Glorious Companions Five Centuries of Anglican Spirituality (Five Centuries Anglican Spirit) Richard H. Schmidt? The Blessing of the Lord Stories from the Old and New Testaments Gary D. Schmidt?Dennis Nolan? Pink Lemonade Poems for Children Annie M. G. Schmidt?Timoth Foley?Henrietta Ten Harmsel?Timothy Foley? Holy Fairs Scotland and the Making of American Revivalism Leigh Eric Schmidt? Pilgrim's Progress A Retelling John Bunyan?Gary D. Schmidt?Barry Moser? William Bradford Plymouth's Faithful Pilgrim (Men of Spirit) Gary D. Schmidt? William Bradford Plymouth's Faithful Pilgrim (Men of Spirit) Gary D. Schmidt? Saint Ciaran The Tale of a Saint of Ireland Gary D. Schmidt?Todd Doney? The Great Stone Face A Tale by Nathanial Hawthorne Gary D. Schmidt?Bill Farnsworth? Slurry Erosion Uses, Applications, and Test Methods (Astm Special Technical Publication// Stp) John E. Miller?E. I. Schmidt? Natural and Artificial Playing Fields Characteristics and Safety Features (Astm Special Technical Publication// Stp) Schmidt Meta Analysis Cumulating Research Findings Across Studies (Studying Organizations) John E. Hunter?Frank L. Schmidt?Gregg B. Jackson? Methods of Meta-Analysis Correcting Error and Bias in Research Findings John E. Hunter?Frank L. Schmidt? Staffing for Success A Guide for Health and Human Service Professionals Michael J. Schmidt?T. F. Riggar? Staffing for Success A Guide for Health and Human Service Professionals Michael J. Schmidt?T. F. Riggar?William Crimando?James E. Bordieri? Industrial Transformation in Europe Process and Contexts Eckhard J. Dittrich?Gert Schmidt?Richard Whitley?Echard J. Dittrich? Industrial Transformation in Europe Process and Contexts Eckhard J. Dittrich?Gert Schmidt?Richard Whitley? Quest for Peace Transcending Collective Violence and War Among Societies, Cultures and States Rumo Vayrynen?Dieter Senghaas?Christian Schmidt? The Wages of Wins Taking Measure of the Many Myths in Modern Sport David J. Berri?Martin B. Schmidt?Stacey L. Brook? The Wonders of Donal O'Donnell A Folktale of Ireland Gary D. Schmidt?Loren Long? Mara's Stories Glimmers in the Darkness Gary D. Schmidt? First Boy Gary D. Schmidt? Katherine Paterson (Twayne's United States Authors Series) Gary D. Schmidt? Robert Lawson (Twayne's United States Authors Series) Gary D. Schmidt? Hugh Lofting (Twayne's English Authors Series) Gary D. Schmidt? Robert McCloskey (Twayne's United States Authors Series) Gary D. Schmidt? Studies in Perception and Action VI Eleventh International Conference on Perception and Action June 24-29, 2001, Storrs, Ct, USA (Studies in Perception Action) Gregory A. Burton?Richard C. Schmidt? The Amazing Story of the Fantasticks America's Longest Running Play Donald C. Farber?Robert Viagas? The Fantasticks America's Longest-Running Play Donald C. Farber?Robert Viagas? German Pride 101 Reasons to Be Proud You're German Gretchen Schmidt? Living With Chronic Illness The Challenge of Adjustment (Christian Growth Books) Stephen A. Schmidt? Robert Frost (Poetry for Young People) Gary D. Schmidt?Henri Sorensen? 336 Ten-Minute Quilt Blocks To Foundation- Quick-Piece, Nosew Applique, Stamp, Stencil, Paint Embellish Holly L. Schmidt? 336 Ten-Minute Quilt Blocks To Foundation-Piece, Quick-Piece, Nosew Applique, Stamp, Stencil, Paint Embellish Holly L. Schmidt? Great Paper Jets Norman Schmidt? Action Skateboarding Jan Andrejtschitsch?Raimund Kallee?Petra Schmidt? Action Skateboarding Jan Andrejtschitsch?Raimund Kallee?Petra Schmidt? William Carlos Williams The Arts and Literary Tradition Peter Schmidt? I Am a Jesse White Tumbler Diane Schmidt? Stop That Garbage Truck! Linda Glaser?Karen Lee Schmidt? Where's Chimpy (Albert Whitman Concept Paperbacks) Berniece Rabe?Diane Schmidt? Where's Chimpy? Berniece Rabe?Diane Schmidt? Beginning in Retrospect Writing and Reading a Teacher's Life Patricia A. Schmidt? Beginning in Retrospect Writing and Reading a Teacher's Life Patricia A. Schmidt? Why Does Baby Cry? (Contemporary's Stories for Parents) Sarah Ann Schmidt?Clairece Feagin? The Specter of Relativism Truth, Dialogue, and Phronesis in Philosophical Hermeneutics (Studies in Phenomenology and Existential Philosophy) Lawrence K. Schmidt? The Specter of Relativism Truth, Dialogue, and Phronesis in Philosophical Hermeneutics (Northwestern University Studies in Phenomenology and Existe) Lawrence K. Schmidt? British Children's Writers, 1914-1960 (Dictionary of Literary Biography) Donald R. Hettinga?Gary D. Schmidt? Football's Stars of Summer A History of the College All-Star Football Game Series of 1945-1976 (American Sports History Series, No. 21) Raymond Schmidt? Critical Images The Canonization of Don Quixote Through Illustrated Editions of the Eighteenth Century Rachel Schmidt? Arthur Rimbaud Complete Works (Perennial Library) Pual Schmidt? In the Spirit of Mother Earth Nature in Native American Art Jeremy Schmidt?Laine Thom In the Spirit of Mother Earth Nature in Native American Art Jeremy Schmidt?Laine Thom Denyse Schmidt Quilts A Stationery Collection Denyse Schmidt Dots Jots Enclosure Cards Denyse Schmidt Inside Maverick's Portrait of a Monster Wave Bruce Jenkins?Grant Washburn?Richard Schmidt?Doug Acton? Notecard Book Schmidt Our Baby The First Year Feeding, Bathing, and Diapering, Watching Your Baby Develo P and Grow, What to Do When You Baby Gets Sick Dagmar Von Cramm?Dagmar Von Cramm?Eberhard Schmidt?Mark A. Goldstein? Faith in Theory and Practice Essays on Justifying Religious Belief Elizabeth Schmidt Radcliffe?Carol J. White? Faith in Theory and Practice Essays on Justifying Religious Belief Elizabeth Schmidt Radcliffe?Carol J. White? Good-Bye Loneliness Jay H. Schmidt?Paul G. Neimark? The Culture and Technology of African Iron Production Peter R. Schmidt? Maverick Marine General Smedley D. Butler and the Contradictions of American Military History Hans Schmidt? Maverick Marine General Smedley D. Butler and the Contradictions of American Military History Hans Schmidt? Development Finance As Institution Building A New Approach to Poverty-Oriented Banking Jan Pieter Krahnen?Reinhard H. Schmidt? Donors and Decentralization in Developing Countries Gregory D Schmidt? Agriculture in New Jersey A 300-Year History Hubert G. Schmidt? The United States Occupation of Haiti, 1915-1934 Hans Schmidt? Issues in Iowa Politics Lee Ann Osbun?Steffen W. Schmidt? Iowa Pride Duane A. Schmidt? A Passionate Usefulness The Life and Literary Labors of Hannah Adams Gary D. Schmidt? Pigeonholed in the Land of Penguins A Tale of Seeing Beyond Stereotypes B. J. Gallagher Hateley?Warren H. Schmidt?Sam Weiss? Is It Always Right to Be Right A Tale of Transforming Workplace Conflict into Creativity and Collaboration Warren H. Schmidt?Gallagher Hateley?B. J. Gallagher Hateley?Sam Weiss? Clip Art for the Liturgical Year SchmidtJoshua J. Jeide? Church Year and the Art of Clemens Schmidt Clemens Schmidt?Placid Stuckenschneider? Venereology in Practice N Hjorth?H Schmidt? Ngna Core Curriculum for Gerontological Nursing National Gerontological Nursing Association?Ann Schmidt Luggen? Contributions of Limperg and Schmidt to the Replacement Cost Debate in the 1920s (Routledge New Works in Accounting History) Frank L. Clarke?Graeme W. Dean? Henry A. Wallace Quixotic Crusade 1948 Karl M. Schmidt? The First Buber Youthful Zionist Writings of Martin Buber (Martin Buber Library) Martin Buber?Gilya Gerda Schmidt? The First Buber Youthful Zionist Writings of Martin Buber (Martin Buber Library) Gilya Gerda Schmidt? Shaping College Football The Transformation of an American Sport, 1919-1930 Raymond Schmidt? A Still Small Voice Women, Ordination, and the Church (Women and Gender in North American Religions) Frederick W. Schmidt? The Art and Artists of the Fifth Zionist Congress, 1901 Heralds of a New Age (Judaic Traditions in Literature, Music, and Art) Gilya Gerda Schmidt? The Deterioration of the Mexican Presidency The Years of Luis Echeverria (Profmex Series) Samuel Schmidt?Dan A. Cothran? This Is The City Making Model Citizens In Los Angeles Ronald J., Jr. Schmidt? This Is The City Making Model Citizens In Los Angeles Ronald J., Jr. Schmidt? Martin Buber's Formative Years From German Culture to Jewish Renewal, 1897-1909 (Judaic Studies Series) Gilya Gerda Schmidt? National Socialism And Gypsies in Austria Michael Berenbaum?Erika Thurner?Gilya Gerda Schmidt? Modeling, Analysis, and Control of Dynamic Elastic Multi-Link Structures (Systems and Control) John E. Lagnese?G. Leugering?E. J. P. G. Schmidt? Dynamical Systems of Algebraic Origin (Progress in Mathematics (Birkhauser Boston)) Klaus Schmidt? If There Are No More Heroes, There Are Heroines J.A. Schmidt? The Changing Face of God Karen Armstrong?Frederick W. Schmidt? When Suffering Persists Frederick W. Schmidt? Conversations With Scripture Revelation (Anglican Association of Biblical Scholars Study Series) Frederick W. Schmidt? Darling? Heidi Schmidt? Albert Speer The End of a Myth Matthias Schmidt? Paths to Russia From War to Peace F. Wilhelm Christians?Helmut Schmidt? The Judiciary and Responsible Government 1910-21 (History of the Supreme Court of the United States) Alexander M. Bickel?Benno C., Jr. Schmidt? Cooking for All Seasons Jimmy Schmidt? Pups Speak Up Maxine Meltzer?Karen L. Schmidt? Basics of Singing Jan Schmidt? Basics of Singing Jan Schmidt? Basics of Singing Jan Schmidt? Basics of Singing Jan Schmidt? Policing Domestic Violence Experiments and Dilemmas Lawrence W. Sherman?Janell D. Schmidt?Dennis P. Rogan? Human Anatomy and Physiology Eldra Pearl Solomon?P.William Davis?SchmidtAdragna? Human Anatomy and Physiology Paul E Solomon?SchmidtAdragna? Introduction to Computer Science and Data Processing Richard Nicholas Schmidt? Arthur Rimbaud Complete Works Arthur Rimbaud?Paul Schmidt? Truth at Any Cost Ken Starr and the Unmaking of Bill Clinton Susan Schmidt?Michael Weisskopf? Motor Skills Richard A Schmidt? Restless Souls The Making Of American Spirituality Leigh Eric Schmidt? What God Wants for Your Life Finding Answers to the Deepest Questions Frederick W. Schmidt? The Religious History of America The Heart of the American Story from Colonial Times to Today Edwin S. Gaustad?Leigh Eric Schmidt? The Twelve Gifts in Marriage Charlene Costanzo?Paul Janovsky?David Schmidt? What God Wants for Your Life Changing the Way We Seek God's Will Frederick W. Schmidt? Clearing the Bases Juiced Players, Monster Salaries, Sham Records, and a Hall of Famer's Search for the Soul of Baseball Mike Schmidt?Glen Waggoner? Clearing the Bases Juiced Players, Monster Salaries, Sham Records, And a Hall of Famer's Search for the Soul of Baseball Mike Schmidt?Glen Waggoner? Restless Souls The Making of American Spirituality Leigh Eric Schmidt? Communities of Discourse The Rhetoric of Disciplines William J. Vande Kopple?Gary D. Schmidt? The Plays of Anton Chekhov Paul Schmidt? Truth at Any Cost Ken Starr and the Unmaking of Bill Clinton Susan Schmidt?Michael Weisskopf? The World of the Crucible The Rise of Modern Europe 1914-1919 Bernadotte E. Schmidt? Grand Teton Citadels of Stones (Genesis Series (San Francisco, Calif.).) Jeremy Schmidt?Thomas Schmidt?Willard Clay?Kathy Clay? Grand Teton Citadels of Stone (Genesis Series) Jeremy Schmidt?Thomas Schmidt?Willard Clay?Kathy Clay? Expository Writing in Political Science A Practical Guide Diane E. Schmidt? Learning Guide for Tortora and Grabowski Principles of Anatomy and Physiology Kathleen Schmidt Prezbindowski?Gerard J. Tortora? Introduction to the Human Body Ahe Essentials of Anatomy the Physiology Kathleen Schmidt Prezbindowski?Gerard J. Tortora? Schaum's Outline of Theory and Problems of College Mathematics (Schaums Outline Series) Frank Ayres?Philip A. Schmidt? Architectural Drafting Herbert F. Bellis?W. A. Schmidt? German Literature Bernhard Blume?Henry J. Schmidt? Principles of Critical Care Companion Handbook (Companion Handbooks Series) Gregory A. Schmidt?Lawrence D. H. Wood?Jesse B. Hall? Principles of Critical Care Jesse B. Hall?Gregory A. Schmidt?Lawrence D. H. Wood? Principles of Critical Care Companion Handbook Jesse B. Hall?Gregory A. Schmidt?Lawrence D. H. Wood? Principles of Critical Care Pretest Self-Assessment and Review (Pretest Series) Jesse B. Hall?Gregory A. Schmidt?Lawrence D. H. Wood? Schaum's Outline of Theory and Problems of Geometry Includes Plane, Analytic, Transformational, and Solid Geometries (Schaum's Outline) Barnett Rich?Philip A. Schmidt? Schaum's Outline of Theory and Problems of Elementary Algebra (Schaum's Outlines) Barnett Rich?Philip A. Schmidt? Schaum's Outline of Review of Elementary Mathematics (Schaum's Outlines) Barnett Rich?Philip A. Schmidt? Principles of Critical Care Pretest Self-Assessment and Review (Pretest Series) Jesse B. Hall?Gregory A. Schmidt?Lawrence D. H. Wood? Schaum's Outline of Theory and Problems of Geometry Includes Plane, Analytic, and Transformational Geometries (Schaum's Outline Series) Barnett Rich?Philip A. Schmidt? Larousse Greek and Roman Mythology Joel Schmidt? Thermal Energy Storage and Regeneration Frank W. Schmidt?A.John Willmott? Teaching Science With Everyday Things Victor E. Schmidt? 3000 Solved Problems in Precalculus (Schaums Solved Problems Series) Philip A. Schmidt? 2500 Solved Problems in College Algebra and Trigonometry (Schaum's Solved Problems Series) Philip A. Schmidt? How to Prepare for the Step 1 Medical Exam (A Pretest Publication) John R. Thornborough?Hilary J. Schmidt? How to Prepare for the Step 1 Medical Exam John R. Thornborough?Hilary J. Schmidt? Principles of Critical Care Gregory A. Schmidt?Jesse B. Hall?Lawrence D. H. Wood?Lawrence D.H. Wood? Econometrics P Schmidt? Principles of Critical Care (International Student Edition) Jesse B. Hall?Gregory Schmidt?Lawrence Wood? Foundations of Parasitology Gerald D. Schmidt?Larry S. Roberts?John Janovy Jr?John Janovy? Econometrics Stephen J. Schmidt? Training Games for Managing Change 50 Activities for Trainers and Consultants Suzanne Adele, Ph.D. Schmidt?Joanne Sujansky? The Power of Now How Winning Companies Sense and Respond to Change Using Real-Time Technology Eric Schmidt?Vivek Ranadive? Schaum's Easy Outlines Geometry (Schaum's Outline Series) Barnett Rich?Philip A. Schmidt?George J. Hademenos? College Mathematics Based on Schaum's Theory and Problems of College Mathematics (Schaum's Easy Outlines Series) Frank Ayres?Philip A. Schmidt?George J. Hademenos? Theory and Problems of Elementary Algebra (Schaum's Outlines) Barnett Rich?Philip A. Schmidt? Principles Of Critical Care Jesse B. Hall?Gregory A. Schmidt?Lawrence D. H. Wood? Opportunities In Photography Careers (Opportunities in . . . Series) Bervin M. Johnson?Robert E. Mayer?Fred Schmidt? Critical Care Just the Facts Gregory A. Schmidt?Jesse B. Hall?D. Kyle Hogarth? Schaum's Outline of Mathematics for Physics Students (Schaum's Outlines) Phillip A. Schmidt?Robert Steiner? Psychiatry Board Review (Pearls of Wisdom) Rebecca A., M.D. Schmidt? Gerald D. Schmidt Larry S. Roberts' Foundations of Parasitology Larry S. Roberts?Gerald D. Schmidt?John Janovy? Gerald D. Schmidt Larry S. Roberts' Foundations of Parasitology Larry S. Roberts? Econometrics Stephen J. Schmidt? Reading Between the Lines Toward an Understanding of Current Social Problems Amanda Konradi?Martha Schmidt? Econometrics Stephen J. Schmidt? Econometrics With Data Cd Stephen J. Schmidt? Polarizing Microscopy of Dental Tissues W.J. Schmidt?L. Neil? Electricity and Industrial Productivity A Technical and Economic Perspective (Pergamon International Library of Science, Technology, Engineering, and Social Studies) Philip S. Schmidt? Corrosion Of Aluminium Michel Jacques?Christian Vargel?Martin P. Schmidt? The Dresden Gate Michael Schmidt? The Love of Strangers Michael Schmidt?Donald Davie? The New Reich Michael Schmidt? With Rommel in the Desert Heinz Werner Schmidt? Quantitative Finance for Physicists An Introduction (2academic Press Advanced Finance Series) Anatoly B. Schmidt? Methods in Enzymology Expression of Recombinant Genes in Eukaryotic Systems (Methods in Enzymology) Joseph C. Glorioso?Martin C. Schmidt? Physics of High Temperature Plasmas George Schmidt? Foundations of Analysis in Operations Research Joseph William Schmidt? Mathematical Foundations for Management Science and Systems Analysis J.William Schmidt? Abnormal Haemoglobins and Thalassaemia R.M. Schmidt? Implementing Sap R/3 Using Microsoft Cluster Server Mauro Gatti?Ralf Schmidt-Dannert?Matthew Cali?Edward Charles?David Dariouch?Olivier De Lampugnani?David Watts? Animal Physiology (Foundations of Modern Biology) Knut Schmidt-Nielsen? Animal Physiology (Foundations of Modern Biology) Knut Schmidt-Nielsen? Working with Visible Analyst Allen Schmidt? Northstar Focus on Listening and Speaking Intermediate Florida Helen Sophia Solorzano?Jennifer P. L. Schmidt? Data Modeling for Information Professionals Bob Schmidt?David Warren? Intentional Helping A Philosophy for Proficient Caring Relationships John J. Schmidt? Advanced English Grammar Helen Hoyt Schmidt? Applied Culinary Fundamentals Jerald Chesser?Sandy Kapoor?Priscilla Martel?Arno Schmidt?American Culinary Federation? The Bride of Catastrophe Heidi Jon Schmidt? Alles Klar? An Integrated Approach to German Language and Culture Wolff A. Von Schmidt?Christine Goulding?Cindy Jorth?Karl F., Jr. Otto? NorthStar Focus on Listening and Speaking Intermediate Helen Sophia Solorzano?Jennifer P. L. Schmidt?Frances Boyd?Carol Humrich? Immer Weiter! Christine Goulding?Karl Otto?Wolff Von Schmidt? Working with Visible Analyst Workbench for Windows Kotler?Allen Schmidt? Alles Klar? Beginning German in a Global Context Karl F., Jr Otto?Keri L. Bryant?Wolff Von Schmidt? Alles Klar? Karl F., Jr. Otto?Keri L. Bryant?Wolff A. Von Schmidt? Introductory Management Science F. J. Gould?Eppen. G. D.?C. P. Schmidt? Introductory Management Science Gary D. Eppen?Floyd J. Gould?Charles P. Schmidt? Introductory Management Gary D. Eppen?Floyd J. Gould?Charles Schmidt? The Inviting Relationship An Expanded Perspective for Professional Counseling William Watson Purkey?John J. Schmidt? Principles of Dairy Science G. H. Schmidt?L. D. Van Vleck?M. F. Hutjens? Client/Server over Atm Making Use of Broadband to Support Client/Server Applications Daniel Minoli?Andrew Schmidt? Quantitative Concepts for Management Decision Making Without Algorithms Gary D. Eppen?F. J. Gould?Charles Schmidt? Quantitative Concepts for Management Gary D. Eppen?Floyd J. Gould?Charles P. Schmidt? Multiprotocol over Atm Building State-Of-The-Art Atm Intranets Utilizing Rsvp, Nhrp, Lane, Flow Switching, and Www Technology Andrew Schmidt? Introductory Management Science Decision Modeling With Spreadsheets F. J. Gould?C. P. Schmidt?Jeffrey H. Moore?Larry R. Weatherford?Gary D. Eppen? Working with Excelerator Allen Schmidt? Feature Filmmaking at Used Car Prices Rick Schmidt? Feature Filmmaking at Used-Car Prices How to Write, Produce, Direct, Film, Edit, and Promote a Feature-Length Film for Less Than $10,000 Rick Schmidt? Feature Filmmaking at Used-Car Prices How to Write, Produce, Direct, Shoot, Edit, and Promote a Feature-Lenth Movie for Less Than $15,000 Rick Schmidt? Lotta Schmidt And Other Stories (Penguin Classics) Anthony Trollope? Under the Volcano (Penguin Modern Classics) Malcolm Lowry?Michael Schmidt? The Sin Eater Gary D. Schmidt? Anson's Way Gary D. Schmidt? Extreme Dv at Used-Car Prices How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less Than $3000 Ray Carney?Rick Schmidt? Evening Edged in Gold A Fairytalefarse 55 Scenes from the Countryside for Patrons of Errata. Tr by J.E. Woods. Tr of Abend Mit Goldrand. a Helen and Arno Schmidt? The Rose Thieves Heidi Jon Schmidt? In the Forest With the Elephants Roland Smith?Michael J. Schmidt? In the Forest With the Elephants Roland Smith?Michael J. Schmidt? Max and Jax in Second Grade (Max and Jax) Jerdine Nolen?Karen Schmidt? What Do You Love? Jonathan London?Karen Lee Schmidt? Carl's Nose Karen Schmidt? What Do You Love Jonathan London?Karen Lee Schmidt? Hoptoad Jane Yolen?Karen Lee Schmidt? Teaching Strategies for Inclusive Classrooms Schools, Students, Strategies, and Success Mary W. Schmidt?Nancy E. Harriman? Legacies Fiction-Poetry-Drama-Nonfiction Carley Rees Bogarad?Jan Zlotnik Schmidt? United States in World War 2 Three Battles, Arnaville, Altuzzo, Schmidt Charles Brown MacDonald? Piers Plowman A New Translation of the B-Text (Oxford World's Classics) William Langland?A. V. C. Schmidt? Piers Plowman A New Translation of the B-Text (Oxford World's Classics) William Langland?A. V. C. Schmidt? Memory and Metaphor The Art of Romare Bearden 1940-1987 Mary Schmidt Campbell?Sharon F. Patton?Romare Bearden? Memory and Metaphor Mary Schmidt Campbell?Sharon F. Patton? The Measurement of Productive Efficiency Techniques and Applications Harold O. Fried?C. A. Knox Lovell?Shelton S. Schmidt? August and Marie Krogh Lives in Science (American Physiological Society Book) Bodil Schmidt-Nielsen? The Engineering of Chemical Reactions (Topics in Chemical Engineering) Lanny D. Schmidt? Extreme Fear, Shyness, and Social Phobia Origins, Biological Mechanisms, and Clinical Outcomes (Series in Affective Science) Louis A. Schmidt?Jay Schulkin? The Engineering of Chemical Reactions (Topics in Chemical Engineering) Lanny D. Schmidt? Public Sector Deficits and Macroeconomic Performance World Bank?William Easterly?Klaus Schmidt-Hebbel?Carlos Alfredo Rodriguez? Western Wildlife Ester Schmidt? The Music of Francis Poulenc (1899-1963) A Catalogue Carl B. Schmidt? Common Heritage or Common Burden The U.S. Position on the Development of a Regime for Deep Sea-Bed Mining in the Law of the Sea Convention Markus G. Schmidt? Desert Animals Knut Schmidt-Nielsen? Heun's Differential Equations (Oxford Science Publications) F. M. Arscott?Slavyanov S. Yu.?D. Schmidt?G. Wolf?P. Maroni?A. Duval?Andre Ronveaux? Political Institutions in the Federal Republic of Germany (Comparative Political Institutions) Manfred G. Schmidt? Welfare and Work in the Open Economy From Vulnerability to Competitiveness (Welfare Work in the Open Economy) Fritz W. Scharpf?Vivien A. Schmidt?